About
Mark Berger
Overview
No biography available
Known for
Acting |
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| 2019 | Making Waves: The Art of Cinematic Sound | Actor | Self | 60 Fair |
Directing |
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| 1982 | The Curse of Fred Astaire | Directing | Director | N/A N/A |
Writing |
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| 1982 | The Curse of Fred Astaire | Writing | Writer | N/A N/A |
Production |
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| 1982 | The Curse of Fred Astaire | Production | Producer | N/A N/A |
Sound |
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| 2008 | Seventh Moon | Sound | Sound Re-Recording Mixer | 57 Average |
| 2006 | Altered | Sound | Sound Re-Recording Mixer | 57 Average |
| 2005 | Munich | Sound | Additional Sound Re-Recording Mixer | 69 Fair |
| 2003 | The United States of Leland | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2002 | Swimfan | Sound | Sound Re-Recording Mixer | 56 Average |
| 2001 | The Royal Tenenbaums | Sound | Sound Re-Recording Mixer | 73 Good |
| 1999 | The Talented Mr. Ripley | Sound | Sound Re-Recording Mixer | 70 Good |
| 1998 | Playing by Heart | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1998 | Rushmore | Sound | Sound Re-Recording Mixer | 71 Good |
| 1998 | Major League: Back to the Minors | Sound | Music Supervisor | 57 Average |
| 1997 | The Rainmaker | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1997 | Excess Baggage | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | Wild America | Sound | Music Supervisor | 59 Average |
| 1996 | The English Patient | Sound | Sound Re-Recording Mixer | 69 Fair |
| 1995 | Ace Ventura: When Nature Calls | Sound | Music Supervisor | 62 Fair |
| 1995 | The Scarlet Letter | Sound | Sound Re-Recording Mixer | 59 Average |
| 1994 | Squanto: A Warrior's Tale | Sound | Sound Re-Recording Mixer | 59 Average |
| 1994 | Serial Mom | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1992 | Equinox | Sound | Sound Re-Recording Mixer | 58 Average |
| 1991 | Motorama | Sound | Sound Re-Recording Mixer | 59 Average |
| 1991 | Closet Land | Sound | Sound Re-Recording Mixer | 59 Average |
| 1990 | State of Grace | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1990 | Mountains of the Moon | Sound | Sound Re-Recording Mixer | 59 Average |
| 1989 | Twin Peaks | Sound | Sound Re-Recording Mixer | 72 Good |
| 1988 | Dirty Rotten Scoundrels | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1988 | Pin | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1986 | Blue Velvet | Sound | Sound Re-Recording Mixer | 73 Good |
| 1985 | Kiss of the Spider Woman | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1985 | The Legend of Billie Jean | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1984 | Amadeus | Sound | Sound Re-Recording Mixer | 77 Good |
| 1983 | The Right Stuff | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1983 | The Great Spirit Within the Hole | Sound | Sound Mixer | N/A N/A |
| 1982 | Burden of Dreams | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1982 | The Plague Dogs | Sound | Sound Designer | 65 Fair |
| 1982 | Moses Pendleton Presents Moses Pendleton | Sound | Sound Re-Recording Mixer | N/A N/A |
| 1980 | Garlic Is as Good as Ten Mothers | Sound | Sound Mixer | 59 Average |
| 1979 | Apocalypse Now | Sound | Sound Re-Recording Mixer | 81 Very good |
| 1974 | The Godfather Part II | Sound | Sound Montage Associate | 84 Very good |
Crew |
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| 1982 | The Curse of Fred Astaire | Crew | Cinematography | N/A N/A |