About
Chalisa Sangnet
Overview
No biography available
Known for
Directing |
||||
| 2024 | YAKKU | Directing | Continuity | N/A N/A |
| 2022 | ตั่วซุง | Directing | Continuity | N/A N/A |
| 2022 | A DAY IN THE LIFE | Directing | Continuity | 59 Average |
Writing |
||||
| 2024 | Solicitude | Writing | Writer | 58 Average |
Production |
||||
| 2023 | The Bitterness of Message in a Bottle | Production | Line Producer | 58 Average |
| 2022 | พ่อรักน้องโปรด | Production | Producer | 58 Average |
Sound |
||||
| 2025 | Dear you(th) | Sound | Sound Recordist | 58 Average |
| 2024 | Lullabye | Sound | Boom Operator | N/A N/A |
Art |
||||
| 2025 | Please P(r)ay Attention | Art | Production Design | N/A N/A |
| 2025 | Strange Fish | Art | Art Department Manager | 58 Average |
| 2025 | Lost in Mekong | Art | Production Design | 58 Average |
| 2024 | THE LAST SUPPER OF THE THREE WISE MEN | Art | Production Design | 58 Average |
| 2024 | Solicitude | Art | Production Design | 58 Average |
| 2023 | เปื้อนยิ้ม | Art | Production Design | N/A N/A |
| 2022 | We’rewolf | Art | Art Direction | N/A N/A |
| 2022 | ตั่วซุง | Art | Art Department Assistant | N/A N/A |
| 2022 | Dear DAUGHTER | Art | Art Department Assistant | N/A N/A |
Camera |
||||
| 2021 | FANCLUB NO.1 | Camera | Still Photographer | N/A N/A |