About
Mari Okada
Overview
Mari Okada (Japanese: 岡田 麿里) is a Japanese screenwriter, director, and manga artist. She is one of the most prolific writers currently working in the anime industry. She won the 16th Animation Kobe Award.
Okada was born in Chichibu. She was often bullied at school and skipped days to deal with social anxiety. After leaving middle school, she would spend most of her time confined at home. In spite of this, her proficiency at writing helped to get her into high school, although her social anxiety remained a problem. Nobody had high hopes for her, and as she was graduating, she was constantly told that she “wouldn't survive in the real world.” Okada enrolled at the Tokyo Amusement Media School to study games.
Through her studies, Okada developed a passion for screenwriting, but found it difficult due to anxieties. Her earliest jobs included creating scenarios for direct-to-video pornography and transcribing interviews for a magazine. It was through this latter job that she met Tetsurō Amino, who asked her to contribute some of her ideas for the plot of DT Eightron. She went on to write the script for five episodes, and the connection with Amino helped in kickstarting her career. Okada pitched an idea for her first original anime, based on her experience. The screenplay was never published, but several elements of it would be used in some of her works. After several years, her reputation within the industry had grown considerably, with the screenplay for numerous successful series. Okada wrote the script for her directorial debut anime film Maquia: When the Promised Flower Blooms. It was well-received by critics and was awarded the prize for the best animated film at the 21st Shanghai International Film Festival.
Description above from the Wikipedia article Mari Okada, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Directing |
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2023 | maboroshi | Directing | Director | 61 Fair |
2018 | Maquia: When the Promised Flower Blooms | Directing | Director | 71 Good |
2013 | Tokyo Halloween Night | Directing | Director | N/A N/A |
Writing |
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2024 | Fureru | Writing | Screenplay | N/A N/A |
2023 | maboroshi | Writing | Screenplay | 61 Fair |
2023 | Hide from the Rain | Writing | Writer | N/A N/A |
2020 | A Whisker Away | Writing | Screenplay | 73 Good |
2019 | Her Blue Sky | Writing | Original Story | 61 Fair |
2019 | Her Blue Sky | Writing | Screenplay | 61 Fair |
2019 | The Flowers of Evil | Writing | Screenplay | 59 Average |
2019 | O Maidens in Your Savage Season | Writing | Series Composition | 77 Good |
2019 | O Maidens in Your Savage Season | Writing | Screenplay | 77 Good |
2019 | O Maidens in Your Savage Season | Writing | Comic Book | 77 Good |
2018 | Until I, Who Was Unable to Go to School, Wrote "anohana" and "The Anthem of the Heart" | Writing | Writer | N/A N/A |
2018 | DRAGON PILOT: Hisone and Masotan | Writing | Original Story | 69 Fair |
2018 | DRAGON PILOT: Hisone and Masotan | Writing | Series Composition | 69 Fair |
2018 | Maquia: When the Promised Flower Blooms | Writing | Screenplay | 71 Good |
2017 | My Teacher | Writing | Screenplay | 59 Average |
2017 | The Dark Maidens | Writing | Screenplay | 59 Average |
2016 | Kiznaiver | Writing | Screenplay | 75 Good |
2016 | Kiznaiver | Writing | Original Story | 75 Good |
2016 | The Lost Village | Writing | Series Composition | 62 Fair |
2016 | The Pot of Promise - First Love in Arita | Writing | Writers' Assistant | 59 Average |
2016 | The Oath of Winter, The Festival of Summer - The Great Camphor Tree of Takeoshi | Writing | Writers' Assistant | 59 Average |
2016 | selector destructed WIXOSS | Writing | Screenplay | 58 Average |
2015 | Mobile Suit Gundam: Iron-Blooded Orphans | Writing | Series Composition | 71 Good |
2015 | AnoHana: The Flower We Saw That Day | Writing | Original Story | 59 Average |
2015 | The Anthem of the Heart | Writing | Original Story | 66 Fair |
2015 | The Anthem of the Heart | Writing | Screenplay | 66 Fair |
2014 | M3: The Dark Metal | Writing | Series Composition | 70 Good |
2014 | M3: The Dark Metal | Writing | Original Story | 70 Good |
2014 | Kuroshitsuji: The Most Beautiful Death in the World | Writing | Writer | 58 Average |
2013 | Nagi-Asu: A Lull in the Sea | Writing | Series Composition | 72 Good |
2013 | Nagi-Asu: A Lull in the Sea | Writing | Writer | 72 Good |
2013 | Nagi-Asu: A Lull in the Sea | Writing | Original Story | 72 Good |
2013 | anohana: The Flower We Saw That Day - The Movie | Writing | Screenplay | 62 Fair |
2013 | anohana: The Flower We Saw That Day - The Movie | Writing | Original Story | 62 Fair |
2013 | Hanasaku Iroha: Home Sweet Home | Writing | Screenplay | 59 Average |
2013 | Hanasaku Iroha: Home Sweet Home | Writing | Original Story | 59 Average |
2012 | The Pet Girl of Sakurasou | Writing | Series Composition | 74 Good |
2012 | Blast of Tempest | Writing | Series Composition | 75 Good |
2012 | Rurouni Kenshin: New Kyoto Arc: The Chirps of Light | Writing | Writer | 59 Average |
2012 | Rurouni Kenshin: New Kyoto Arc: The Chirps of Light | Writing | Series Composition | 59 Average |
2012 | AKB0048 | Writing | Series Composition | 67 Fair |
2012 | Lupin the Third: The Woman Called Fujiko Mine | Writing | Series Composition | 70 Good |
2012 | Black Rock Shooter | Writing | Series Composition | 68 Fair |
2011 | Rurouni Kenshin: New Kyoto Arc: Cage of Flames | Writing | Writer | 59 Average |
2011 | Rurouni Kenshin: New Kyoto Arc: Cage of Flames | Writing | Series Composition | 59 Average |
2011 | AnoHana: The Flower We Saw That Day | Writing | Writer | 81 Very good |
2011 | AnoHana: The Flower We Saw That Day | Writing | Series Composition | 81 Very good |
2011 | AnoHana: The Flower We Saw That Day | Writing | Original Story | 81 Very good |
2011 | Hanasaku Iroha: Blossoms for Tomorrow | Writing | Series Composition | 70 Good |
2011 | Hanasaku Iroha: Blossoms for Tomorrow | Writing | Original Story | 70 Good |
2011 | Hanasaku Iroha: Blossoms for Tomorrow | Writing | Screenplay | 70 Good |
2011 | Wandering Son | Writing | Series Composition | 69 Fair |
2011 | Fractale | Writing | Series Composition | 67 Fair |
2011 | Fractale | Writing | Original Story | 67 Fair |
2011 | Gosick | Writing | Series Composition | 74 Good |
2009 | Canaan | Writing | Series Composition | 68 Fair |
2008 | Toradora! | Writing | Series Composition | 81 Very good |
2008 | True Tears | Writing | Series Composition | 68 Fair |
2007 | Cinnamon the Movie | Writing | Screenplay | 59 Average |
2007 | Kodomo no Jikan | Writing | Screenplay | 68 Fair |
2007 | Sketchbook ~full color's~ | Writing | Series Composition | 69 Fair |
2007 | Sketchbook ~full color's~ | Writing | Screenplay | 69 Fair |
Art |
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2018 | Maquia: When the Promised Flower Blooms | Art | Storyboard Artist | 71 Good |
Crew |
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2020 | O Maidens in Your Savage Season | Crew | Script | 68 Fair |
2019 | Kimi dake ni Motetainda. | Crew | Script | 59 Average |
2015 | Zorori the Naughty Hero: Heroes of Space | Crew | Script | 59 Average |
2007 | Dead Girls | Crew | Script | 59 Average |
2006 | Zorori the Naughty Hero: Quest For The Mysterious Treasure | Crew | Script | 59 Average |