About
Ken Kelsch
Overview
Ken Kelsch is an Award Winning Cinematographer/D.O.P. and known for his credit in movies such as Bad Lieutenant and Desert Flower.
Known for
Acting |
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| 2019 | Twisted Tale: The Unmaking of Spookies | Actor | Himself | 59 Average |
| 2018 | Talking with the Vampires | Actor | N/A N/A |
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| 2008 | 100 Feet | Actor | Garbage Man | 58 Average |
| 1999 | New Rose Hotel | Actor | The Expeditor | 57 Average |
| 1998 | Susan's Plan | Actor | Casino Pit Boss | 58 Average |
| 1979 | Don't Go in the House | Actor | 58 Average |
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Camera |
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| 2019 | The Projectionist | Camera | Director of Photography | 59 Average |
| 2018 | Talking with the Vampires | Camera | Director of Photography | N/A N/A |
| 2016 | The Brooklyn Banker | Camera | Director of Photography | 58 Average |
| 2014 | Welcome to New York | Camera | Director of Photography | 57 Average |
| 2013 | House of Last Things | Camera | Director of Photography | 58 Average |
| 2012 | 4:44 Last Day on Earth | Camera | Director of Photography | 55 Average |
| 2009 | Desert Flower | Camera | Director of Photography | 66 Fair |
| 2008 | Sıcak | Camera | Director of Photography | 59 Average |
| 2008 | Return to Sleepaway Camp | Camera | Director of Photography | 58 Average |
| 2008 | 100 Feet | Camera | Director of Photography | 58 Average |
| 2008 | Chelsea on the Rocks | Camera | Director of Photography | 59 Average |
| 2005 | Before It Had a Name | Camera | Director of Photography | 58 Average |
| 2005 | Missing in America | Camera | Director of Photography | 59 Average |
| 2003 | Happy End | Camera | Director of Photography | 58 Average |
| 2003 | Asmalı Konak: Hayat | Camera | Director of Photography | 58 Average |
| 2003 | Testosterone | Camera | Director of Photography | 58 Average |
| 2001 | 'R Xmas | Camera | Director of Photography | 59 Average |
| 2000 | It Had to Be You | Camera | Director of Photography | 59 Average |
| 1999 | New Rose Hotel | Camera | Director of Photography | 57 Average |
| 1999 | Invisible Child | Camera | Director of Photography | 59 Average |
| 1998 | Rear Window | Camera | Director of Photography | 58 Average |
| 1998 | Susan's Plan | Camera | Director of Photography | 58 Average |
| 1998 | The Impostors | Camera | Director of Photography | 58 Average |
| 1998 | Montana | Camera | Director of Photography | 58 Average |
| 1998 | A Brooklyn State of Mind | Camera | Director of Photography | 58 Average |
| 1997 | Every 9 Seconds | Camera | Director of Photography | 59 Average |
| 1997 | Subway Stories | Camera | Director of Photography | 58 Average |
| 1997 | The Blackout | Camera | Director of Photography | 58 Average |
| 1996 | The Prosecutors | Camera | Director of Photography | N/A N/A |
| 1996 | Big Night | Camera | Director of Photography | 62 Fair |
| 1996 | Killer: A Journal of Murder | Camera | Director of Photography | 59 Average |
| 1996 | The Funeral | Camera | Director of Photography | 61 Fair |
| 1996 | Mylène Farmer: California | Camera | Director of Photography | 59 Average |
| 1995 | Condition Red | Camera | Director of Photography | 58 Average |
| 1995 | The Addiction | Camera | Director of Photography | 61 Fair |
| 1994 | Drop Squad | Camera | Director of Photography | 58 Average |
| 1994 | Assault at West Point: The Court-Martial of Johnson Whittaker | Camera | Director of Photography | 59 Average |
| 1993 | Dangerous Game | Camera | Director of Photography | 59 Average |
| 1992 | Bad Lieutenant | Camera | Director of Photography | 65 Fair |
| 1992 | Killer Dead | Camera | Director of Photography | 59 Average |
| 1986 | Spookies | Camera | Director of Photography | 57 Average |
| 1979 | The Driller Killer | Camera | Director of Photography | 57 Average |
| Manson Girls | Camera | Director of Photography | N/A N/A |
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