About
Brandon Tonner-Connolly
Overview
Brandon Tonner-Connolly works as a production designer for film and television projects. He holds a BFA in Cinema Studies from New York University, USA.
Known for
Art |
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| 2024 | I Saw the TV Glow | Art | Production Design | 59 Average |
| 2023 | The Exorcist: Believer | Art | Production Design | 58 Average |
| 2023 | Somebody I Used to Know | Art | Production Design | 58 Average |
| 2022 | Mona Lisa and the Blood Moon | Art | Production Design | 59 Average |
| 2021 | Intrusion | Art | Production Design | 59 Average |
| 2019 | Extremely Wicked, Shockingly Evil and Vile | Art | Production Design | 68 Fair |
| 2018 | Cruise | Art | Production Design | 58 Average |
| 2018 | Blockers | Art | Production Design | 62 Fair |
| 2017 | Brigsby Bear | Art | Production Design | 64 Fair |
| 2017 | The Bad Batch | Art | Production Design | 54 Average |
| 2017 | The Big Sick | Art | Production Design | 70 Good |
| 2016 | Baked in Brooklyn | Art | Production Design | 57 Average |
| 2015 | I Smile Back | Art | Production Design | 59 Average |
| 2015 | Unexpected | Art | Production Design | 58 Average |
| 2015 | While We're Young | Art | Property Master | 59 Average |
| 2014 | Song One | Art | Set Decoration | 58 Average |
| 2013 | A.C.O.D. | Art | Property Master | 57 Average |
| 2013 | Drinking Buddies | Art | Production Design | 58 Average |
| 2013 | Dark Skies | Art | Property Master | 62 Fair |