About
Michel Fano
Overview
French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content. During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores (or "sound-scores") for five of Robbe-Grillet's films.
From Wikipedia, the free encyclopedia
Known for
Acting |
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1973 | The Year 01 | Actor | 59 Average |
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Directing |
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1973 | Olivier Messiaen and the Birds | Directing | Director | N/A N/A |
1970 | The Territory of Others | Directing | Director | 59 Average |
Chutes de pierres, danger de mort | Directing | Director | N/A N/A |
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Sound |
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1993 | Les Quarxs | Sound | Music | N/A N/A |
1988 | The Chimerical Staircase | Sound | Music | 59 Average |
1983 | Circle of Passions | Sound | Sound Designer | N/A N/A |
1979 | Ève avait l'éclat métallique de l'été | Sound | Music | N/A N/A |
1976 | The Claw and the Tooth | Sound | Original Music Composer | 58 Average |
1975 | Playing with Fire | Sound | Music Consultant | 58 Average |
1975 | Don't | Sound | Original Music Composer | 59 Average |
1975 | SEE | Sound | Original Music Composer | N/A N/A |
1974 | Successive Slidings of Pleasure | Sound | Sound Designer | 59 Average |
1974 | Successive Slidings of Pleasure | Sound | Music | 59 Average |
1974 | Experimental | Sound | Original Music Composer | N/A N/A |
1974 | Sea Creatures | Sound | Original Music Composer | N/A N/A |
1973 | Wings and Things | Sound | Original Music Composer | N/A N/A |
1973 | Undercurrents | Sound | Original Music Composer | N/A N/A |
1973 | Colter's Hell | Sound | Original Music Composer | N/A N/A |
1972 | Meetings in the Forest | Sound | Sound | 58 Average |
1972 | Meetings in the Forest | Sound | Original Music Composer | 58 Average |
1972 | N. Took the Dice | Sound | Music | 58 Average |
1972 | Flyaway | Sound | Original Music Composer | N/A N/A |
1970 | Eden and After | Sound | Sound Director | 59 Average |
1970 | Eden and After | Sound | Original Music Composer | 59 Average |
1968 | The Man Who Lies | Sound | Sound Director | 59 Average |
1968 | Wall Engravings | Sound | Sound | 59 Average |
1968 | One More Time | Sound | Sound | N/A N/A |
1967 | The Authentic Trial of Carl Emmanuel Jung | Sound | Sound Designer | 59 Average |
1967 | Far from Vietnam | Sound | Music | 59 Average |
1967 | Lamiel | Sound | Music Editor | 58 Average |
1967 | Lamiel | Sound | Music | 58 Average |
1967 | The Picasso Look | Sound | Music | N/A N/A |
1966 | Trans-Europ-Express | Sound | Music | 60 Fair |
1966 | A Man and a Woman | Sound | Sound Engineer | 63 Fair |
1966 | The Nun | Sound | Sound Designer | 60 Fair |
1965 | Qui donc a rêvé ? | Sound | Sound | N/A N/A |
1963 | L'Immortelle | Sound | Original Music Composer | 59 Average |
1961 | Chronicle of a Summer | Sound | Sound | 61 Fair |
1961 | The Human Pyramid | Sound | Sound Recordist | 59 Average |
1960 | The French Game | Sound | Sound | 58 Average |
1960 | Le Bel Âge | Sound | Sound | 58 Average |
1960 | A Game for Six Lovers | Sound | Sound | 58 Average |
1960 | A Couple | Sound | Sound | 58 Average |
Crew |
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1964 | The Fifteen-Year-Old Widows | Crew | Sound Recordist | 59 Average |
Editing |
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1974 | Hotspot | Editing | Editor | N/A N/A |