About
Claude Pignot
Overview
No biography available
Known for
Art |
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| 1988 | The Abyss | Art | Art Direction | 58 Average |
| 1983 | Benvenuta | Art | Production Design | 59 Average |
| 1980 | Petit déjeuner compris | Art | Decorator | 69 Fair |
| 1972 | Man with the Transplanted Brain | Art | Art Direction | 59 Average |
| 1972 | Faustine and the Beautiful Summer | Art | Art Direction | 58 Average |
| 1972 | Faustine and the Beautiful Summer | Art | Production Design | 58 Average |
| 1971 | Appointment in Bray | Art | Production Design | 58 Average |
| 1971 | Raphael or the Debauched One | Art | Production Design | 58 Average |
| 1970 | The House of the Bories | Art | Production Design | 59 Average |
| 1970 | The Bear and the Doll | Art | Production Design | 59 Average |
| 1969 | Mississippi Mermaid | Art | Set Decoration | 60 Fair |
| 1969 | Mississippi Mermaid | Art | Production Design | 60 Fair |
| 1968 | One Night... a Train | Art | Production Design | 59 Average |
| 1968 | Stolen Kisses | Art | Production Design | 65 Fair |
| 1968 | The Diary of an Innocent Boy | Art | Production Design | 58 Average |
| 1967 | The Young Girls of Rochefort | Art | Assistant Set Decoration | 68 Fair |
| 1966 | The Creatures | Art | Production Design | 59 Average |
| 1964 | The Umbrellas of Cherbourg | Art | Assistant Set Decoration | 68 Fair |
| 1964 | Mata Hari, Agent H21 | Art | Production Design | 58 Average |