
About
David Susskind
Overview
David Howard Susskind (December 19, 1920 – February 22, 1987) was an American producer of TV, movies, and stage plays and also a TV talk show host. His talk shows were innovative in the genre and addressed timely, controversial topics beyond the scope of others of the day.
His first job after the war was as a press agent for Warner Brothers. Next, he was a talent agent for Century Artists, ultimately ending up in the Music Corporation of America's newly minted television programming department, managing Dinah Shore, Jerry Lewis, and others. In New York, Susskind formed Talent Associates, representing creators of material rather than performers. In 1954, Susskind became a producer of the NBC legal drama Justice, based on case files of the Legal Aid Society of New York. His program Open End began in 1958 on New York City's commercial independent station WNTA-TV and was so titled because the program continued until Susskind or his guests were too tired to continue. In 1961, Open End was constrained to two hours and went into national syndication. The show was retitled The David Susskind Show for its telecast on Sunday night, October 2, 1966. In the 1960s it was the first nationally broadcast television talk show to feature people speaking out against American involvement in the Vietnam War. In the 1970s it was the first nationally broadcast television talk show to feature people speaking out for gay rights. The show continued until its New York outlet canceled it in 1986. During his close to three-decade run, Susskind covered many controversial topics of the day, such as race relations, transsexualism, and the Vietnam War. His interview with Soviet Premier Nikita Khrushchev, which aired in October 1960, during the height of the Cold War, generated national attention. It is one of the very few talk show telecasts from the era that was preserved and can be viewed today. In a now notorious interview with then 25-year-old Muhammad Ali during a recently-unearthed 1968 appearance on the British program The Eamonn Andrews Show, Susskind displayed an intense antipathy and vitriol towards the famous boxer, whom he excoriated with withering criticism for refusing to be conscripted into the U.S. military for the Vietnam War. Some commentators have described this as a racist attack. Susskind was also a noted producer, with scores of movies, plays, and TV programs to his credit. His legacy is that of a producer of intelligent material at a time when TV had left its golden years behind and had firmly planted its feet in programming which had wide appeal, whether or not it was worth watching.
Known for
Acting |
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2013 | The Trials of Muhammad Ali | Actor | 59 Average |
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2012 | The David Susskind Show: Give 'em Hell Harry | Actor | Self | N/A N/A |
1980 | Simon | Actor | Himself | 59 Average |
1975 | Fear on Trial | Actor | Self | 58 Average |
1970 | The Carol Lawrence Show | Actor | Self | N/A N/A |
1963 | David Susskind Archive: Interview With Dr. Martin Luther King Jr | Actor | himself | N/A N/A |
1962 | Requiem for a Heavyweight | Actor | Self - Trailor Narrator (uncredited) | 60 Fair |
1961 | A Raisin in the Sun | Actor | On-screen Trailer Narrator (uncredited) | 62 Fair |
1959 | The David Susskind Show | Actor | Self - Host | 69 Fair |
David Susskind Archive: Truman Capote Tells All | Actor | N/A N/A |
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Directing |
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2020 | David Susskind Archive: I Was a Hitman for the Mafia | Directing | Director | N/A N/A |
1963 | David Susskind Archive: Interview With Dr. Martin Luther King Jr | Directing | Director | N/A N/A |
Howard Hughes: the Watergate Connection | Directing | Director | N/A N/A |
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David Susskind Archive: Gay Rights Pro and Con | Directing | Director | N/A N/A |
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David Susskind Archive: Truman Capote Tells All | Directing | Director | N/A N/A |
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Production |
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1983 | Rita Hayworth: The Love Goddess | Production | Producer | 58 Average |
1983 | Rita Hayworth: The Love Goddess | Production | Executive Producer | 58 Average |
1981 | Casey Stengel | Production | Executive Producer | N/A N/A |
1981 | The Bunker | Production | Producer | 59 Average |
1981 | Fort Apache, the Bronx | Production | Executive Producer | 59 Average |
1981 | Crisis at Central High | Production | Executive Producer | 59 Average |
1980 | Father Figure | Production | Executive Producer | 58 Average |
1980 | Loving Couples | Production | Executive Producer | 58 Average |
1980 | Mom, the Wolfman and Me | Production | Executive Producer | N/A N/A |
1980 | The Plutonium Incident | Production | Producer | 59 Average |
1979 | The Family Man | Production | Executive Producer | N/A N/A |
1979 | Sex and the Single Parent | Production | Executive Producer | N/A N/A |
1979 | Blind Ambition | Production | Executive Producer | 69 Fair |
1979 | Walking Through the Fire | Production | Executive Producer | 58 Average |
1979 | Transplant | Production | Executive Producer | N/A N/A |
1978 | Who'll Save Our Children? | Production | Executive Producer | N/A N/A |
1978 | Lovey: A Circle of Children, Part II | Production | Executive Producer | 59 Average |
1978 | Tom and Joann | Production | Executive Producer | N/A N/A |
1978 | Home to Stay | Production | Executive Producer | 58 Average |
1978 | The World Beyond | Production | Executive Producer | 59 Average |
1978 | Breaking Up | Production | Executive Producer | N/A N/A |
1977 | Tell Me My Name | Production | Executive Producer | N/A N/A |
1977 | On Our Own | Production | Producer | 69 Fair |
1977 | The World of Darkness | Production | Executive Producer | 58 Average |
1977 | Eleanor and Franklin: The White House Years | Production | Executive Producer | 58 Average |
1977 | Johnny, We Hardly Knew Ye | Production | Executive Producer | 58 Average |
1976 | Harry S. Truman: Plain Speaking | Production | Producer | N/A N/A |
1976 | Alice | Production | Producer | 69 Fair |
1976 | Buffalo Bill and the Indians, or Sitting Bull's History Lesson | Production | Executive Producer | 58 Average |
1976 | Eleanor and Franklin | Production | Executive Producer | 68 Fair |
1975 | A Moon for the Misbegotten | Production | Producer | 58 Average |
1974 | Alice Doesn't Live Here Anymore | Production | Producer | 64 Fair |
1974 | The Country Girl | Production | Producer | N/A N/A |
1973 | The Glass Menagerie | Production | Producer | 59 Average |
1972 | If You Give a Dance, You Gotta Pay the Band | Production | Producer | N/A N/A |
1972 | Harvey | Production | Producer | 59 Average |
1971 | All the Way Home | Production | Producer | N/A N/A |
1971 | The Pursuit of Happiness | Production | Producer | 58 Average |
1971 | The Price | Production | Producer | N/A N/A |
1970 | Lovers and Other Strangers | Production | Producer | 58 Average |
1968 | A Hatful of Rain | Production | Producer | N/A N/A |
1968 | Of Mice and Men | Production | Executive Producer | N/A N/A |
1968 | Laura | Production | Executive Producer | 58 Average |
1967 | The Desperate Hours | Production | Executive Producer | 58 Average |
1967 | The Diary of Anne Frank | Production | Producer | 58 Average |
1967 | Dial M for Murder | Production | Producer | N/A N/A |
1967 | Johnny Belinda | Production | Producer | N/A N/A |
1967 | Mark Twain Tonight! | Production | Producer | 59 Average |
1966 | CBS Playhouse | Production | Producer | N/A N/A |
1966 | The Human Voice | Production | Producer | 58 Average |
1966 | Death of a Salesman | Production | Producer | 58 Average |
1965 | Eagle in a Cage | Production | Producer | N/A N/A |
1964 | Mr. Broadway | Production | Producer | N/A N/A |
1963 | East Side/West Side | Production | Producer | 70 Good |
1963 | The Power and the Glory | Production | Producer | N/A N/A |
1962 | Hedda Gabler | Production | Producer | 59 Average |
1962 | Requiem for a Heavyweight | Production | Producer | 60 Fair |
1962 | At the Drop of a Hat | Production | Producer | N/A N/A |
1961 | A Raisin in the Sun | Production | Producer | 62 Fair |
1960 | Mrs. Miniver | Production | Producer | N/A N/A |
1959 | Miracle On 34th Street | Production | Producer | N/A N/A |
1959 | Back to Back | Production | Producer | N/A N/A |
1959 | The Moon and Sixpence | Production | Producer | N/A N/A |
1959 | Medea | Production | Producer | N/A N/A |
1959 | Play of the Week | Production | Producer | N/A N/A |
1959 | Too Young to Go Steady | Production | Producer | N/A N/A |
1959 | Meet Me in St. Louis | Production | Producer | 58 Average |
1958 | The Winslow Boy | Production | Producer | N/A N/A |
1958 | Three Plays by Tennessee Williams | Production | Executive Producer | 58 Average |
1957 | Edge of the City | Production | Producer | 60 Fair |
1956 | A Murder is Announced | Production | Producer | N/A N/A |
1955 | Five in Judgement | Production | Executive Producer | N/A N/A |
1950 | Armstrong Circle Theatre | Production | Producer | 67 Fair |