About
Leslie S. Hiscott
Overview
Leslie Stephenson Hiscott was an English film director and screenwriter who made over sixty films between 1925 and 1956. He was born in London in 1894. He directed Alibi, the first ever depiction of Hercule Poirot, Agatha Christie's Belgian detective, with Austin Trevor in the lead role.
Known for
Directing |
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1956 | Tons of Trouble | Directing | Director | 58 Average |
1955 | The Time of His Life | Directing | Director | 59 Average |
1944 | Welcome, Mr Washington | Directing | Director | 59 Average |
1943 | The Butler's Dilemma | Directing | Director | 58 Average |
1942 | Sabotage at Sea | Directing | Director | 58 Average |
1942 | The Lady from Lisbon | Directing | Director | 59 Average |
1942 | The Seventh Survivor | Directing | Director | 59 Average |
1937 | Fine Feathers | Directing | Director | N/A N/A |
1937 | Millions | Directing | Director | 58 Average |
1936 | Fame | Directing | Director | N/A N/A |
1935 | Department Store | Directing | Director | 59 Average |
1935 | Death on the Set | Directing | Director | N/A N/A |
1935 | A Fire Has Been Arranged | Directing | Director | 59 Average |
1935 | She Shall Have Music | Directing | Director | 59 Average |
1935 | Inside the Room | Directing | Director | 58 Average |
1935 | The Triumph of Sherlock Holmes | Directing | Director | 58 Average |
1935 | Three Witnesses | Directing | Director | N/A N/A |
1935 | Annie, Leave the Room! | Directing | Director | N/A N/A |
1935 | The Big Splash | Directing | Director | N/A N/A |
1934 | Passing Shadows | Directing | Director | N/A N/A |
1934 | Gay Love | Directing | Director | N/A N/A |
1933 | Strike It Rich | Directing | Director | N/A N/A |
1933 | Great Stuff | Directing | Director | N/A N/A |
1933 | Cleaning Up | Directing | Director | N/A N/A |
1932 | The Face at the Window | Directing | Director | N/A N/A |
1932 | A Tight Corner | Directing | Director | N/A N/A |
1932 | When London Sleeps | Directing | Director | N/A N/A |
1932 | A Safe Proposition | Directing | Director | N/A N/A |
1932 | The Crooked Lady | Directing | Director | N/A N/A |
1932 | Once bitten | Directing | Director | N/A N/A |
1932 | Murder at Covent Garden | Directing | Director | N/A N/A |
1932 | The Missing Rembrandt | Directing | Director | N/A N/A |
1931 | Black Coffee | Directing | Director | 59 Average |
1931 | A Night in Montmartre | Directing | Director | 58 Average |
1931 | Alibi | Directing | Director | 59 Average |
1931 | Brown Sugar | Directing | Director | N/A N/A |
1931 | The Sleeping Cardinal | Directing | Director | 58 Average |
1930 | The Call of the Sea | Directing | Director | N/A N/A |
1930 | The House of the Arrow | Directing | Director | N/A N/A |
1930 | At the Villa Rose | Directing | Director | N/A N/A |
1929 | The Feather | Directing | Director | N/A N/A |
1928 | The Passing of Mr. Quinn | Directing | Director | 58 Average |
1927 | This Marriage Business | Directing | Director | N/A N/A |
Writing |
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1956 | Tons of Trouble | Writing | Writer | 58 Average |
1955 | The Time of His Life | Writing | Screenplay | 59 Average |
1931 | A Night in Montmartre | Writing | Scenario Writer | 58 Average |
1929 | The Feather | Writing | Screenplay | N/A N/A |
1929 | To What Red Hell | Writing | Screenplay | N/A N/A |
1928 | The Passing of Mr. Quinn | Writing | Writer | 58 Average |
1927 | This Marriage Business | Writing | Screenplay | N/A N/A |