About
Paul Ratajczak
Overview
No biography available
Known for
Sound |
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| 2021 | Night Drive | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | Night Drive | Sound | Supervising Sound Editor | 58 Average |
| 2020 | Man In The Arena | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Wild League | Sound | Sound | 59 Average |
| 2019 | Night Drive | Sound | Supervising Sound Editor | 59 Average |
| 2018 | Home by Spring | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | The Right Girl | Sound | Sound Re-Recording Mixer | 59 Average |
| 2014 | Don't Blink | Sound | Sound Re-Recording Mixer | 56 Average |
| 2013 | John Dies at the End | Sound | Supervising Sound Editor | 61 Fair |
| 2013 | John Dies at the End | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2012 | Matchmaker Santa | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | I Married Who? | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | The Seven Year Hitch | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Puppy Love | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Guns, Girls and Gambling | Sound | Sound Re-Recording Mixer | 57 Average |
| 2012 | Strawberry Summer | Sound | Sound Re-Recording Mixer | 59 Average |
| 2011 | Annie Claus Is Coming to Town | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | Black Widow | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Ring of Death | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Ring of Death | Sound | Sound Mixer | 58 Average |
| 2008 | Day of the Dead | Sound | Sound Re-Recording Mixer | 55 Average |
| 2008 | Prairie Fever | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Murder 101: The Locked Room Mystery | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | Finish Line | Sound | Sound Re-Recording Mixer | 58 Average |
| 2007 | All I Want for Christmas | Sound | Sound Re-Recording Mixer | 58 Average |
| 2007 | Blue State | Sound | Sound Re-Recording Mixer | 58 Average |
| 2006 | Though None Go with Me | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | The Oh in Ohio | Sound | Sound Re-Recording Mixer | 57 Average |
| 2005 | Edison | Sound | Sound Re-Recording Mixer | 56 Average |
| 2005 | Edison | Sound | Sound Supervisor | 56 Average |
| 2005 | Out of the Woods | Sound | Sound Re-Recording Mixer | 59 Average |
| 2005 | Wild Things: Diamonds in the Rough | Sound | Sound Re-Recording Mixer | 56 Average |
| 2005 | Gone But Not Forgotten | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Love's Enduring Promise | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | The Hollywood Mom's Mystery | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | In Enemy Hands | Sound | Sound Supervisor | 58 Average |
| 2004 | In Enemy Hands | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Wild Things 2 | Sound | Sound Supervisor | 56 Average |
| 2004 | Wild Things 2 | Sound | Sound Re-Recording Mixer | 56 Average |
| 2004 | Murder Without Conviction | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | The Trail to Hope Rose | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Just Desserts | Sound | Sound Supervisor | 59 Average |
| 2004 | Wedding Daze | Sound | Sound Mixer | 58 Average |
| 2003 | Devil's Pond | Sound | Sound Re-Recording Mixer | 58 Average |
| 2003 | Devil's Pond | Sound | Sound Supervisor | 58 Average |
| 2003 | A Time to Remember | Sound | Sound Mixer | 58 Average |
| 2003 | Die, Mommie, Die! | Sound | Sound Supervisor | 59 Average |
| 2003 | Die, Mommie, Die! | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | Betrayal | Sound | Sound Re-Recording Mixer | 58 Average |
| 2003 | Betrayal | Sound | Sound Supervisor | 58 Average |
| 2003 | The Hitcher II: I've Been Waiting | Sound | Sound Supervisor | 56 Average |
| 2003 | The Hitcher II: I've Been Waiting | Sound | Sound Re-Recording Mixer | 56 Average |
| 2003 | Shortcut to Happiness | Sound | Sound Re-Recording Mixer | 58 Average |
| 2003 | Shortcut to Happiness | Sound | Sound Supervisor | 58 Average |
| 2003 | Stealing Candy | Sound | Sound Supervisor | 58 Average |
| 2003 | Straight From the Heart | Sound | Sound Supervisor | 59 Average |
| 2003 | Straight From the Heart | Sound | Sound Mixer | 59 Average |
| 2003 | The Last Cowboy | Sound | Sound Supervisor | 59 Average |
| 2003 | The Last Cowboy | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | Kiss The Bride | Sound | Sound Re-Recording Mixer | 58 Average |
| 2002 | Kiss The Bride | Sound | Sound Supervisor | 58 Average |
| 2002 | Bubba Ho-tep | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2002 | Bubba Ho-tep | Sound | Sound Supervisor | 62 Fair |
| 2002 | Hard Cash | Sound | Sound Re-Recording Mixer | 57 Average |
| 2002 | Hard Cash | Sound | Sound Supervisor | 57 Average |
| 2002 | Narc | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2002 | Narc | Sound | Sound Supervisor | 63 Fair |
| 2001 | Diary of a Sex Addict | Sound | Sound Supervisor | 58 Average |
| 2001 | Diary of a Sex Addict | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Pendulum | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | The Breed | Sound | Sound Supervisor | 58 Average |
| 2001 | The Breed | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Ticker | Sound | Sound Re-Recording Mixer | 54 Average |
| 2001 | U.S. Seals II: The Ultimate Force | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Replicant | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Replicant | Sound | Sound Supervisor | 58 Average |
| 2001 | Cold Heart | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | The Base 2: Guilty as Charged | Sound | Sound Supervisor | 58 Average |
| 2000 | For the Cause | Sound | Sound Supervisor | 58 Average |
| 2000 | For the Cause | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Forever Lulu | Sound | Sound Supervisor | 58 Average |
| 2000 | Forever Lulu | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Luck of the Draw | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Stranger Than Fiction | Sound | Sound Supervisor | 58 Average |
| 2000 | Stranger Than Fiction | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | BitterSweet | Sound | Sound Supervisor | 58 Average |
| 1999 | BitterSweet | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | Guinevere | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | The Big Brass Ring | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | The Base | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | The Base | Sound | Supervising Sound Editor | 58 Average |
| 1999 | Undercurrent | Sound | Sound Supervisor | 58 Average |
| 1999 | Undercurrent | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | The Dentist 2 | Sound | Sound Supervisor | 57 Average |
| 1998 | The Dentist 2 | Sound | Sound Re-Recording Mixer | 57 Average |
| 1998 | Hell's Kitchen | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Hell's Kitchen | Sound | Sound Supervisor | 58 Average |
| 1998 | Indiscreet | Sound | Sound Supervisor | 58 Average |
| 1998 | Indiscreet | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Ground Control | Sound | Sound Supervisor | 58 Average |
| 1998 | Ground Control | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Phantasm IV: Oblivion | Sound | Sound Supervisor | 56 Average |
| 1998 | Phantasm IV: Oblivion | Sound | Sound Re-Recording Mixer | 56 Average |
| 1998 | Ambushed | Sound | Sound Supervisor | 58 Average |
| 1998 | Ambushed | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Point Blank | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Progeny | Sound | Sound Supervisor | 58 Average |
| 1998 | Progeny | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Dead Man's Curve | Sound | Sound Supervisor | 58 Average |
| 1998 | Dead Man's Curve | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Montana | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Montana | Sound | Sound Supervisor | 58 Average |
| 1998 | The Survivor | Sound | Sound Supervisor | 58 Average |
| 1997 | Lured Innocence | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | Lured Innocence | Sound | Sound Supervisor | 58 Average |
| 1997 | Loved | Sound | Sound Supervisor | 58 Average |
| 1997 | Stand-Ins | Sound | Sound Supervisor | 58 Average |
| 1997 | Stand-Ins | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | The Invader | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | The Invader | Sound | Sound Supervisor | 58 Average |
| 1997 | Drive | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | Murder in Mind | Sound | Sound Supervisor | 58 Average |
| 1997 | Murder in Mind | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | The Killing Jar | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | The Killing Jar | Sound | Sound Supervisor | 58 Average |
| 1997 | Men Seeking Women | Sound | Sound Supervisor | 58 Average |
| 1997 | The First to Go | Sound | Sound Supervisor | N/A N/A |
| 1997 | Retroactive | Sound | Sound Supervisor | 59 Average |
| 1997 | The First to Go | Sound | Sound Re-Recording Mixer | N/A N/A |
| 1996 | Shiloh | Sound | Sound Post Supervisor | 58 Average |
| 1996 | Shiloh | Sound | Sound Re-Recording Mixer | 58 Average |
| 1996 | The Big Squeeze | Sound | Sound Supervisor | 59 Average |
| 1996 | The Big Squeeze | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Freeway | Sound | Sound Supervisor | 61 Fair |
| 1996 | Freeway | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1996 | Things I Never Told You | Sound | Sound Supervisor | 58 Average |
| 1996 | The Grave | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Excessive Force II: Force on Force | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Excessive Force II: Force on Force | Sound | Sound Supervisor | 58 Average |
| 1995 | The Prophecy | Sound | Sound Supervisor | 61 Fair |
| 1995 | The Prophecy | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1995 | Virtual Combat | Sound | Sound Supervisor | 58 Average |
| 1994 | Red Sun Rising | Sound | Supervising Sound Editor | 58 Average |
| 1994 | Return to Two Moon Junction | Sound | Supervising Sound Editor | 58 Average |
| 1994 | Return to Two Moon Junction | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Teresa's Tattoo | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Illicit Dreams | Sound | Sound Supervisor | 58 Average |
| 1993 | Love, Cheat & Steal | Sound | Sound Re-Recording Mixer | 58 Average |
| 1993 | Love, Cheat & Steal | Sound | Supervising Sound Editor | 58 Average |
| 1993 | Deadly Exposure | Sound | Sound Supervisor | 58 Average |
| 1993 | Eddie Presley | Sound | Music Producer | 58 Average |
| 1993 | Rage and Honor II: Hostile Takeover | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | Body Chemistry II: Voice of a Stranger | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | Munchie | Sound | ADR Recordist | 57 Average |
| 1992 | Munchie | Sound | Sound Re-Recording Mixer | 57 Average |
| 1992 | Bloodfist III: Forced to Fight | Sound | Sound Re-Recording Mixer | 58 Average |