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About
John Dickinson
Overview
Argentine/British born in Buenos Aires, 1946. B.A. in History from Harvard College, 1967, magna cum laude, film studies/workshops at Swedish Film Institute, AFI, and Cal Arts. He has worked in film since 1970, as cameraperson/lighting cameraperson, soundman, and director.
In the 1970s he left Argentina and settled in Venezuela, directing documentaries like The Cumaná Devil, Country Painter, and The Mandolin King, which received a total of 24 awards in Venezuela, Germany and France. Dickinson also made the feature documentary Ajishama, and produced and directed two fiction features in Venezuela, Blows and Boleros, (Channel 4 London, Foncine), and The Crystal Ship (Dickinson/Foncine).
In 2004 he moved back to Argentina, and since then has produced and directed several fiction features, Splitting Atoms (2006), Destiny Foretold (2013), and Dolores (2016- Argentina/Brazil coproduction, INCAA/ANCINE), as well as the feature documentary Station Day in 2011, and the documentary television special Breaking the Cycle (England, 2014).
In 2018 he produced/directed the documentary feature Fireland Dogs (Tierra del Fuego). He is currently working on a documentary feature about nature conservation, to be shot in Patagonia.
Known for
Directing |
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2011 | A day in Constitución | Directing | Director | N/A N/A |
2003 | Ajishama, The White Ibis | Directing | Director | N/A N/A |
1985 | El rey del bandolín | Directing | Director | N/A N/A |
1984 | Peasant Painter | Directing | Director | N/A N/A |
1984 | The Cumaná Devil | Directing | Director | N/A N/A |
Writing |
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2003 | Ajishama, The White Ibis | Writing | Writer | N/A N/A |
1985 | El rey del bandolín | Writing | Writer | N/A N/A |
1984 | The Cumaná Devil | Writing | Writer | N/A N/A |
1984 | Peasant Painter | Writing | Writer | N/A N/A |
Camera |
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2006 | Jim Gaffigan: Beyond the Pale | Camera | Dolly Grip | 60 Fair |
1987 | Macu, la mujer del policía | Camera | Camera Operator | 58 Average |
1980 | Si j'te cherche... j'me trouve | Camera | Camera Operator | N/A N/A |