![](https://image.tmdb.org/t/p/original/eRemDqRGocPuLMTEm2iARLTHMxf.jpg)
About
Nathaniel Shilkret
Overview
From Wikipedia, the free encyclopedia
Nathaniel Shilkret (December 25, 1889 – February 18, 1982) was an American composer, conductor, clarinetist, pianist, business executive, and music director.
Shilkret was born in New York City to a musical family of Austrian immigrants. His father played a number of instruments, and made certain that Nat and his three brothers were all accomplished musicians at an early age. Nathaniel Shilkret's brother-in-law, Nathaniel Finston, was violinist in many organizations in his youth and was musical director for Paramount and later for Metro-Goldwyn-Mayer, at one time being Nathaniel Shilkret's boss.
Shilkret moved to Los Angeles in late 1935 and there contributed music scores and musical direction for a string of Hollywood films for RKO (as musical director from 1935—1937), Walter Lantz Productions (one of the studio's musical directors during 1937) and Metro-Goldwyn-Mayer (as a musical director from 1942—1946). His films included Mary of Scotland (1936), Swing Time (1936), The Plough and the Stars, and Shall We Dance? (1937) and several films of Laurel and Hardy. He also received an Oscar nomination for his work scoring the film version of Maxwell Anderson's stage drama Winterset (1936).
In 1939, he conducted a group of soloists (including tenor Jan Peerce) and the Victor Symphony Orchestra for RCA Victor's multi-disc tribute to Victor Herbert, which were recorded following a special NBC radio broadcast, and he recorded a number of other albums in 1939 and 1940. Due to a serious abdominal operation for cancer removal, he did not conduct for most of 1941.
In 1944–45, Shilkret led the collaborative project that created Genesis Suite, a work for narrator, chorus, and orchestra based on the events in the biblical Book of Genesis. This collaboration involved Shilkret, plus six other composers who immigrated to the United States from Europe – most of whom were Jewish – contributing one movement each: Mario Castelnuovo-Tedesco, Darius Milhaud, Arnold Schoenberg, Igor Stravinsky, Alexandre Tansman and Ernst Toch. Shilkret tried to involve also Béla Bartók into the collaborative project, but this was unsuccessful.
He worked at RKO-Pathe, making short films from 1946 through the mid-1950s. During this same period he recorded at least 260 transcriptions for SESAC. He was the pit orchestra conductor for the Broadway show Paris '90 in 1952. He lived in his son's home in Franklin Square, NY, from the mid-1950s until his death in 1982 and was a Great Uncle of actress Julie Warner.
Known for
Acting |
||||
1932 | It Happened in Paris | Actor | Orchestra Leader | N/A N/A |
1925 | Franz Liszt | Actor | Self | N/A N/A |
Sound |
||||
1993 | Dorothy & the Wizard in Oz | Sound | Music | N/A N/A |
1951 | Flying Padre | Sound | Music | 57 Average |
1949 | The Boy and the Eagle | Sound | Music | N/A N/A |
1947 | Forgotten Island | Sound | Music | N/A N/A |
1947 | The Big Party | Sound | Music | N/A N/A |
1946 | The Hoodlum Saint | Sound | Music | 58 Average |
1945 | She Went to the Races | Sound | Original Music Composer | 58 Average |
1945 | It Looks Like Rain | Sound | Music | N/A N/A |
1944 | Dark Shadows | Sound | Music | 59 Average |
1944 | Nothing But Trouble | Sound | Music | 59 Average |
1944 | Blonde Fever | Sound | Music | 58 Average |
1944 | Lost in a Harem | Sound | Original Music Composer | 58 Average |
1944 | A Lady Fights Back | Sound | Music | 59 Average |
1944 | Return from Nowhere | Sound | Music | 59 Average |
1944 | Grandpa Called It Art | Sound | Original Music Composer | N/A N/A |
1944 | Nostradamus IV | Sound | Music | 59 Average |
1943 | This Is Tomorrow | Sound | Music | 59 Average |
1943 | To My Unborn Son | Sound | Music | 59 Average |
1943 | Storm | Sound | Music | 59 Average |
1943 | Ode to Victory | Sound | Music | 58 Average |
1943 | Trifles That Win Wars | Sound | Original Music Composer | N/A N/A |
1943 | Nursery Rhyme Mysteries | Sound | Music | 59 Average |
1943 | Don't You Believe It | Sound | Music | 58 Average |
1943 | That's Why I Left You | Sound | Original Music Composer | N/A N/A |
1943 | Hitler's Madman | Sound | Music | 58 Average |
1943 | Heavenly Music | Sound | Music | 58 Average |
1941 | Jungle Cavalcade | Sound | Music Director | N/A N/A |
1939 | One Third of a Nation | Sound | Music | 59 Average |
1938 | Singapore and Jahore | Sound | Music | 59 Average |
1938 | Condemned Women | Sound | Music | 59 Average |
1937 | Hitting a New High | Sound | Original Music Composer | 58 Average |
1937 | Music for Madame | Sound | Original Music Composer | 59 Average |
1937 | Music for Madame | Sound | Music Director | 59 Average |
1937 | The Toast of New York | Sound | Original Music Composer | 58 Average |
1937 | Rocky Mountain Grandeur | Sound | Original Music Composer | 59 Average |
1937 | Border Cafe | Sound | Music Director | 59 Average |
1937 | Serene Siam | Sound | Music | N/A N/A |
1937 | Shall We Dance | Sound | Music Director | 61 Fair |
1937 | Hong Kong: 'The Hub of the Orient' | Sound | Original Music Composer | 59 Average |
1937 | The Soldier and the Lady | Sound | Music Director | 59 Average |
1937 | The Soldier and the Lady | Sound | Original Music Composer | 59 Average |
1936 | That Girl from Paris | Sound | Music Director | 59 Average |
1936 | The Plough and the Stars | Sound | Music Director | 58 Average |
1936 | Winterset | Sound | Music | 59 Average |
1936 | Walking on Air | Sound | Music Director | 59 Average |
1936 | Swing Time | Sound | Music Director | 61 Fair |
1936 | Mary of Scotland | Sound | Original Music Composer | 59 Average |
1936 | The Bohemian Girl | Sound | Original Music Composer | 59 Average |
1935 | Honolulu: The Paradise of the Pacific | Sound | Conductor | 59 Average |
1935 | Los Angeles: 'Wonder City of the West' | Sound | Music | 59 Average |
1935 | Los Angeles: 'Wonder City of the West' | Sound | Conductor | 59 Average |
1934 | Ireland: 'The Emerald Isle' | Sound | Music | N/A N/A |
1934 | Switzerland the Beautiful | Sound | Music Director | N/A N/A |
1934 | Holland in Tulip Time | Sound | Music | 59 Average |
1934 | Social Register | Sound | Music | 58 Average |
1932 | Skyscraper Souls | Sound | Music | 58 Average |
1932 | It Happened in Paris | Sound | Music | N/A N/A |
1931 | I am from Siam | Sound | Music | 59 Average |
1930 | When the Wind Blows | Sound | Music Director | 59 Average |
1930 | When the Wind Blows | Sound | Music | 59 Average |
1930 | Blotto | Sound | Music | 59 Average |
1928 | The Battle of the Sexes | Sound | Original Music Composer | 58 Average |
1925 | Franz Liszt | Sound | Music Director | N/A N/A |
Crew |
||||
1946 | Faithful in My Fashion | Crew | Cinematography | 59 Average |
1943 | Above Suspicion | Crew | Additional Music | 59 Average |
1942 | The Falcon Takes Over | Crew | Additional Music | 59 Average |
1937 | Breakfast for Two | Crew | Additional Music | 58 Average |