About
Tom Johnson
Overview
Thomas Johnson is an American sound engineer. He has won two Academy Awards for Best Sound and has been nominated for seven more in the same category. He has worked on more than 125 films since 1983.
Description above from the Wikipedia article Thomas Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Sound |
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| 2024 | The Wild Robot | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2019 | Ad Astra | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2018 | Ant-Man and the Wasp | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2018 | Avengers: Infinity War | Sound | Sound Re-Recording Mixer | 82 Very good |
| 2017 | Arthur Miller: Writer | Sound | Sound Re-Recording Mixer | 59 Average |
| 2017 | Valerian and the City of a Thousand Planets | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2016 | Doctor Strange | Sound | Sound Re-Recording Mixer | 73 Good |
| 2016 | Miss Peregrine's Home for Peculiar Children | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2016 | Captain America: Civil War | Sound | Sound Re-Recording Mixer | 74 Good |
| 2015 | Ant-Man | Sound | Sound Re-Recording Mixer | 70 Good |
| 2015 | Inside Out | Sound | Sound Re-Recording Mixer | 78 Good |
| 2014 | Big Eyes | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2014 | Captain America: The Winter Soldier | Sound | Sound Re-Recording Mixer | 76 Good |
| 2013 | Cloudy with a Chance of Meatballs 2 | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2013 | Blood Ties | Sound | Sound Re-Recording Mixer | 59 Average |
| 2013 | Despicable Me 2 | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2012 | Frankenweenie | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2012 | Brave | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2012 | Dark Shadows | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2012 | Dark Shadows | Sound | Sound | 60 Fair |
| 2012 | John Carter | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2011 | War Horse | Sound | Sound Re-Recording Mixer | 71 Good |
| 2011 | Wuthering Heights | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Super 8 | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2011 | The Beaver | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2011 | The Conspirator | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2011 | Hop | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Drive Angry | Sound | Sound Re-Recording Mixer | 56 Average |
| 2010 | Despicable Me | Sound | Sound Re-Recording Mixer | 72 Good |
| 2010 | Alice in Wonderland | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2009 | A Christmas Carol | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2009 | The Private Lives of Pippa Lee | Sound | Sound Effects Editor | 58 Average |
| 2009 | The Private Lives of Pippa Lee | Sound | Sound Re-Recording Mixer | 58 Average |
| 2009 | Coraline | Sound | Sound Re-Recording Mixer | 77 Good |
| 2008 | Two Lovers | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2007 | There Will Be Blood | Sound | Sound Re-Recording Mixer | 79 Good |
| 2007 | Sweeney Todd: The Demon Barber of Fleet Street | Sound | Sound Re-Recording Mixer | 70 Good |
| 2007 | Shrooms | Sound | Sound Re-Recording Mixer | 54 Average |
| 2006 | Children of Men | Sound | Sound Re-Recording Mixer | 74 Good |
| 2006 | Zidane: A 21st Century Portrait | Sound | Sound Re-Recording Mixer | 59 Average |
| 2005 | King Kong | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2005 | Breakfast on Pluto | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2004 | Hotel Rwanda | Sound | Sound Re-Recording Mixer | 74 Good |
| 2004 | The Polar Express | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2004 | In My Country | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | Ella Enchanted | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2003 | The Good Thief | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | Maid in Manhattan | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2002 | Blood Work | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2001 | Bandits | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2001 | Atlantis: The Lost Empire | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2001 | The Tailor of Panama | Sound | Sound Re-Recording Mixer | 59 Average |
| 2000 | Cast Away | Sound | Sound Re-Recording Mixer | 75 Good |
| 2000 | Requiem for a Dream | Sound | Sound Re-Recording Mixer | 78 Good |
| 2000 | The Yards | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1999 | Galaxy Quest | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1999 | Star Wars: Episode I - The Phantom Menace | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1998 | Sphere | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1998 | The Horse Whisperer | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1997 | Wag the Dog | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1997 | Titanic | Sound | Sound Re-Recording Mixer | 78 Good |
| 1997 | Contact | Sound | Sound Re-Recording Mixer | 72 Good |
| 1997 | Hercules | Sound | Sound Re-Recording Mixer | 73 Good |
| 1997 | Beverly Hills Ninja | Sound | Sound Re-Recording Mixer | 57 Average |
| 1996 | Stealing Beauty | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1995 | Strange Days | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1995 | Nine Months | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | The Hunted | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Quiz Show | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1993 | Mrs. Doubtfire | Sound | Sound Re-Recording Mixer | 71 Good |
| 1993 | The Meteor Man | Sound | Sound Re-Recording Mixer | 58 Average |
| 1993 | Rising Sun | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1992 | A River Runs Through It | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1992 | Single White Female | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1991 | Bugsy | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1991 | Terminator 2: Judgment Day | Sound | Sound Re-Recording Mixer | 80 Very good |
| 1991 | Terminator 2: Judgment Day | Sound | Sound Designer | 80 Very good |
| 1991 | Soapdish | Sound | Sound Re-Recording Mixer | 59 Average |
| 1991 | F/X2 | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1990 | Henry & June | Sound | Sound Re-Recording Mixer | 59 Average |
| 1988 | Dirty Rotten Scoundrels | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1988 | Midnight Matinee | Sound | Sound Re-Recording Mixer | 58 Average |
| 1988 | Tucker: The Man and His Dream | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1988 | Colors | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1987 | Spaceballs | Sound | Foley Recordist | 66 Fair |
| 1986 | Seize the Day | Sound | Sound Mixer | 58 Average |
| 1985 | Mishima: A Life in Four Chapters | Sound | Sound Re-Recording Mixer | 65 Fair |