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About
Simon Hayes
Overview
Simon Hayes is a British sound engineer. Hayes won an Academy Award for Best Sound at the 85th Academy Awards for his work on Les Misérables. He won a BAFTA for Best Sound for the same film. In 2022, the 94th Academy Awards included Hayes as a nominee for Best Sound Mixing for his work on No Time to Die.
After starting work as a runner for a commercials production company when he was 16 years old, Simon Hayes moved into the sound department as an assistant and then boom operator before mixing his first feature film, Lock, Stock and Two Smoking Barrels, at the age of 27. Hayes was the production sound mixer for the 2012 epic period musical film Les Misérables, for which the Academy of Motion Picture Arts and Sciences awarded him the Oscar for Best Sound Mixing at the 85th Academy Awards, alongside Andy Nelson and Mark Paterson. The director, Tom Hooper, required all singing in the film to be recorded live, which was widely deemed to be impracticable. Hayes and his team undertook complex recording, editing, and mixing processes to achieve Hooper's aim. They captured recordings of the actors amidst loud film sets, edited the vocals, then overdubbed the orchestration.
Description above from the Wikipedia article Simon Hayes, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Sound |
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2025 | Wicked: For Good | Sound | Production Sound Mixer | N/A N/A |
2025 | Fountain of Youth | Sound | Production Sound Mixer | N/A N/A |
2025 | Snow White | Sound | Production Sound Mixer | N/A N/A |
2024 | Wicked | Sound | Production Sound Mixer | 66 Fair |
2024 | Argylle | Sound | Production Sound Mixer | 60 Fair |
2023 | The Little Mermaid | Sound | Production Sound Mixer | 62 Fair |
2021 | No Time to Die | Sound | Production Sound Mixer | 72 Good |
2019 | Cats | Sound | Production Sound Mixer | 47 Bad |
2019 | Yesterday | Sound | Production Sound Mixer | 66 Fair |
2019 | Aladdin | Sound | Production Sound Mixer | 70 Good |
2018 | Mary Poppins Returns | Sound | Production Sound Mixer | 64 Fair |
2017 | King Arthur: Legend of the Sword | Sound | Production Sound Mixer | 64 Fair |
2017 | Eat Locals | Sound | Production Sound Mixer | 57 Average |
2017 | Life | Sound | Production Sound Mixer | 64 Fair |
2016 | Fantastic Beasts and Where to Find Them | Sound | Production Sound Mixer | 72 Good |
2016 | The Legend of Tarzan | Sound | Production Sound Mixer | 58 Average |
2016 | Allied | Sound | Production Sound Mixer | 67 Fair |
2015 | Kingsman: The Secret Service | Sound | Production Sound Mixer | 75 Good |
2014 | Before I Go to Sleep | Sound | Production Sound Mixer | 63 Fair |
2014 | Guardians of the Galaxy | Sound | Production Sound Mixer | 78 Good |
2013 | The Counselor | Sound | Production Sound Mixer | 54 Average |
2013 | Kick-Ass 2 | Sound | Production Sound Mixer | 63 Fair |
2013 | Trance | Sound | Production Sound Mixer | 64 Fair |
2013 | Why We Laugh: Funny Women | Sound | Sound Recordist | 59 Average |
2012 | Les Misérables | Sound | Production Sound Mixer | 71 Good |
2012 | Prometheus | Sound | Production Sound Mixer | 65 Fair |
2012 | Bel Ami | Sound | Production Sound Mixer | 55 Average |
2011 | X-Men: First Class | Sound | Production Sound Mixer | 72 Good |
2010 | Nanny McPhee and the Big Bang | Sound | Production Sound Mixer | 62 Fair |
2010 | Kick-Ass | Sound | Production Sound Mixer | 70 Good |
2010 | Green Zone | Sound | Production Sound Mixer | 63 Fair |
2009 | Harry Brown | Sound | Production Sound Mixer | 65 Fair |
2009 | Lesbian Vampire Killers | Sound | Production Sound Mixer | 56 Average |
2008 | Franklyn | Sound | Production Sound Mixer | 59 Average |
2008 | Mamma Mia! | Sound | Production Sound Mixer | 69 Fair |
2008 | The Bank Job | Sound | Production Sound Mixer | 66 Fair |
2008 | Incendiary | Sound | Production Sound Mixer | 57 Average |
2007 | Stardust | Sound | Production Sound Mixer | 71 Good |
2007 | 28 Weeks Later | Sound | Production Sound Mixer | 65 Fair |
2006 | Sixty Six | Sound | Production Sound Mixer | 59 Average |
2006 | Copying Beethoven | Sound | Production Sound Mixer | 60 Fair |
2005 | Nanny McPhee | Sound | Production Sound Mixer | 65 Fair |
2005 | Revolver | Sound | Sound Recordist | 62 Fair |
2004 | Bridget Jones: The Edge of Reason | Sound | Sound Mixer | 61 Fair |
2004 | Layer Cake | Sound | Sound Mixer | 67 Fair |
2004 | The Calcium Kid | Sound | Sound Mixer | 58 Average |
2004 | Shaun of the Dead | Sound | Sound Recordist | 74 Good |
2004 | If Only | Sound | Production Sound Mixer | 64 Fair |
2002 | Swept Away | Sound | Sound Mixer | 54 Average |
2001 | Mean Machine | Sound | Sound Mixer | 60 Fair |
2000 | Snatch | Sound | Sound Mixer | 77 Good |
1999 | Tube Tales | Sound | Sound Mixer | 58 Average |
1999 | Fanny & Elvis | Sound | Production Sound Mixer | 59 Average |
1998 | Lock, Stock and Two Smoking Barrels | Sound | Sound Recordist | 79 Good |
1995 | The Hard Case | Sound | Sound | 59 Average |
1991 | Teenage Health Freak | Sound | Boom Operator | N/A N/A |
Editing |
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2009 | Eating Disorders: The Musical! | Editing | Editor | N/A N/A |