About
Lora Hirschberg
Overview
Lora Hirschberg (born 1963) is an American sound engineer. She won the Academy Award for Best Sound Mixing for the film Inception and was nominated for the same award for the film The Dark Knight. She has worked on more than 110 films since 1990.
Hirschberg was born near Cleveland, Ohio, in the city of Olmsted Falls, and she attended New York University's film school. She worked in film sound in New York after graduation, having been hired by the film production company American Zoetrope in 1989. She started her career in the company's central machine room and later relocated to San Francisco, California. She is lesbian.
Known for
Acting |
||||
| 2019 | Making Waves: The Art of Cinematic Sound | Actor | Self | 60 Fair |
Sound |
||||
| 2025 | Captain America: Brave New World | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2024 | Deadpool & Wolverine | Sound | Sound Re-Recording Mixer | 75 Good |
| 2023 | The Marvels | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2023 | NYAD | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2023 | Users | Sound | Sound Mixer | 59 Average |
| 2023 | Users | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | Wendell & Wild | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2022 | Finding Her Beat | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2022 | Argentina, 1985 | Sound | Sound Mixer | 70 Good |
| 2022 | Argentina, 1985 | Sound | Sound Re-Recording Mixer | 70 Good |
| 2022 | My Name Is Andrea | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | Doctor Strange in the Multiverse of Madness | Sound | Sound Re-Recording Mixer | 72 Good |
| 2021 | Eternals | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2021 | Shang-Chi and the Legend of the Ten Rings | Sound | Sound Re-Recording Mixer | 74 Good |
| 2021 | Zola | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | Riverdance: The Animated Adventure | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | Wish Dragon | Sound | Sound Re-Recording Mixer | 73 Good |
| 2021 | Black Widow | Sound | Sound Re-Recording Mixer | 71 Good |
| 2020 | Borat Subsequent Moviefilm | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2020 | Welcome to Chechnya | Sound | Sound Re-Recording Mixer | 59 Average |
| 2020 | Welcome to Chechnya | Sound | Supervising Sound Editor | 59 Average |
| 2019 | Spies in Disguise | Sound | Sound Re-Recording Mixer | 73 Good |
| 2019 | The Kingmaker | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | The Lion King | Sound | Sound Re-Recording Mixer | 70 Good |
| 2019 | Diane | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Captain Marvel | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | Christopher Robin | Sound | Sound Re-Recording Mixer | 70 Good |
| 2018 | Ant-Man and the Wasp | Sound | Additional Sound Re-Recording Mixer | 68 Fair |
| 2018 | A Wrinkle in Time | Sound | Sound Re-Recording Mixer | 52 Average |
| 2017 | Ferdinand | Sound | Sound Re-Recording Mixer | 70 Good |
| 2017 | How to Talk to Girls at Parties | Sound | Sound Re-Recording Mixer | 59 Average |
| 2017 | Thor: Ragnarok | Sound | Sound Re-Recording Mixer | 75 Good |
| 2017 | Only the Brave | Sound | Sound Re-Recording Mixer | 70 Good |
| 2017 | Guardians of the Galaxy Vol. 2 | Sound | Sound Re-Recording Mixer | 75 Good |
| 2016 | Sing | Sound | Sound Re-Recording Mixer | 70 Good |
| 2016 | Everything Else | Sound | Sound Re-Recording Mixer | 58 Average |
| 2016 | Ice Age: Collision Course | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | Money Monster | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2016 | The Jungle Book | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2016 | Author: The JT LeRoy Story | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | Cosmic Scrat-tastrophe | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2015 | The Peanuts Movie | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2015 | Crimson Peak | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2015 | Avengers: Age of Ultron | Sound | Sound Re-Recording Mixer | 72 Good |
| 2015 | The Royal Road | Sound | Sound Re-Recording Mixer | 58 Average |
| 2014 | Toy Story That Time Forgot | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2014 | The Best of Me | Sound | Sound Re-Recording Mixer | 72 Good |
| 2014 | To Be Takei | Sound | Sound Mixer | 60 Fair |
| 2014 | To Be Takei | Sound | Sound Editor | 60 Fair |
| 2014 | Guardians of the Galaxy | Sound | Sound Re-Recording Mixer | 78 Good |
| 2014 | Gabriel | Sound | Sound Re-Recording Mixer | 59 Average |
| 2014 | Rio 2 | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2013 | The Motel Life | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Thor: The Dark World | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2013 | Enough Said | Sound | Supervising Sound Editor | 63 Fair |
| 2013 | Enough Said | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2013 | The Dog | Sound | Sound Editor | 59 Average |
| 2013 | The Dog | Sound | Sound Designer | 59 Average |
| 2013 | World War Z | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2013 | Epic | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2012 | How to Survive a Plague | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2012 | How to Survive a Plague | Sound | Sound Editor | 60 Fair |
| 2012 | How to Survive a Plague | Sound | Sound Mixer | 60 Fair |
| 2012 | Emperor | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Girl Most Likely | Sound | Sound Re-Recording Mixer | 57 Average |
| 2012 | Ice Age: Continental Drift | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2012 | The Avengers | Sound | Sound Re-Recording Mixer | 76 Good |
| 2012 | Thin Ice | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2011 | Machine Gun Preacher | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2011 | Cowboys & Aliens | Sound | Sound Re-Recording Mixer | 56 Average |
| 2011 | The Beaver | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2011 | Cinema Verite | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Rio | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2011 | Megamind: The Button of Doom | Sound | Sound Mixer | 61 Fair |
| 2010 | Howl | Sound | Supervising Sound Editor | 60 Fair |
| 2010 | Howl | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2010 | The Extra Man | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | Inception | Sound | Sound Re-Recording Mixer | 83 Very good |
| 2010 | Please Give | Sound | Supervising Sound Editor | 59 Average |
| 2010 | Please Give | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Iron Man 2 | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2009 | Merry Madagascar | Sound | Sound Mixer | 61 Fair |
| 2009 | It Came from Kuchar | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | Leaves of Grass | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | Ice Age: Dawn of the Dinosaurs | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2009 | Edie & Thea: A Very Long Engagement | Sound | Sound Designer | 59 Average |
| 2009 | Edie & Thea: A Very Long Engagement | Sound | Sound Editor | 59 Average |
| 2009 | Blessed Is the Match: The Life and Death of Hannah Senesh | Sound | Sound Designer | 59 Average |
| 2009 | Blessed Is the Match: The Life and Death of Hannah Senesh | Sound | Sound Mixer | 59 Average |
| 2008 | Ice Age: Surviving Sid | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | The Dark Knight | Sound | Sound Re-Recording Mixer | 84 Very good |
| 2008 | The Princess of Nebraska | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Iron Man | Sound | Sound Re-Recording Mixer | 76 Good |
| 2007 | The Kite Runner | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2007 | Lions for Lambs | Sound | Sound Re-Recording Mixer | 59 Average |
| 2007 | It's Still Elementary | Sound | Sound Mixer | 58 Average |
| 2007 | Into the Wild | Sound | Sound Re-Recording Mixer | 77 Good |
| 2007 | Girls Rock! | Sound | Sound Editor | 59 Average |
| 2006 | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2006 | The Prestige | Sound | Sound Re-Recording Mixer | 81 Very good |
| 2006 | Shortbus | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2006 | Stranger Than Fiction | Sound | Sound Re-Recording Mixer | 70 Good |
| 2006 | Bernard and Doris | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | Ice Age: The Meltdown | Sound | Sound Mixer | 66 Fair |
| 2006 | Only God Knows | Sound | Sound Re-Recording Mixer | 58 Average |
| 2005 | Rent | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2005 | Stay | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2005 | Batman Begins | Sound | Sound Re-Recording Mixer | 76 Good |
| 2004 | Finding Neverland | Sound | Sound Re-Recording Mixer | 71 Good |
| 2004 | Let's Get Real | Sound | Sound Mixer | 58 Average |
| 2004 | Let's Get Real | Sound | Sound Editor | 58 Average |
| 2004 | The Future of Food | Sound | Sound Editor | 59 Average |
| 2004 | The Future of Food | Sound | Sound Mixer | 59 Average |
| 2004 | Forces Of Nature | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | Twisted | Sound | Sound Re-Recording Mixer | 56 Average |
| 2004 | Straight-Jacket | Sound | Sound Re-Recording Mixer | 58 Average |
| 2003 | Young Black Stallion | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | The Lord of the Rings: The Return of the King | Sound | Additional Sound Re-Recording Mixer | 84 Very good |
| 2003 | Tarnation | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2003 | Girls Will Be Girls | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | My Flesh and Blood | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | My Flesh and Blood | Sound | Sound Editor | 59 Average |
| 2002 | Maid in Manhattan | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2002 | Adaptation. | Sound | Sound Re-Recording Mixer | 71 Good |
| 2002 | The Emperor's Club | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2002 | The Ring | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2002 | Panic Room | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2002 | 40 Days and 40 Nights | Sound | Sound Re-Recording Mixer | 56 Average |
| 2002 | The Heart of the Sea: Kapolioka'ehukai | Sound | Sound Mixer | 59 Average |
| 2002 | The Heart of the Sea: Kapolioka'ehukai | Sound | Sound Editor | 59 Average |
| 2001 | Trembling Before G-d | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Trembling Before G-d | Sound | Sound Editor | 58 Average |
| 2001 | Bandits | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2001 | The Grey Zone | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2001 | Missing Young Woman | Sound | Sound Editor | 59 Average |
| 2001 | Missing Young Woman | Sound | Sound Re-Recording Mixer | 59 Average |
| 2001 | O | Sound | Sound Re-Recording Mixer | 59 Average |
| 2001 | Monkeybone | Sound | Sound Re-Recording Mixer | 55 Average |
| 2000 | First Person Plural | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | All the Pretty Horses | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Quills | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2000 | The Yards | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2000 | Pitch Black | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2000 | Paragraph 175 | Sound | Sound Re-Recording Mixer | 59 Average |
| 1999 | Titus | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1999 | Galaxy Quest | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1999 | Liberty Heights | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1999 | Anywhere but Here | Sound | Sound Re-Recording Mixer | 59 Average |
| 1999 | In Too Deep | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | The Faculty | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1998 | Reach the Rock | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | 54 | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Halloween H20: 20 Years Later | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1998 | The Newton Boys | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | Sphere | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1998 | The Horse Whisperer | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1997 | Wag the Dog | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1997 | Titanic | Sound | Sound Re-Recording Mixer | 78 Good |
| 1997 | Slaves to the Underground | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | Mimic | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1997 | Hercules | Sound | Sound Re-Recording Mixer | 74 Good |
| 1997 | B.A.P.S | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | Beverly Hills Ninja | Sound | Sound Re-Recording Mixer | 57 Average |
| 1997 | Whales: An Unforgettable Journey | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | One Fine Day | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1996 | Sleepers | Sound | Sound Re-Recording Mixer | 73 Good |
| 1996 | Beyond the Call | Sound | Sound Editor | 58 Average |
| 1996 | Beyond the Call | Sound | Sound Mixer | 58 Average |
| 1996 | The Arrival | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | The Great White Hype | Sound | Sound Re-Recording Mixer | 57 Average |
| 1996 | The Celluloid Closet | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1995 | Home for the Holidays | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1995 | Strange Days | Sound | Assistant Sound Designer | 66 Fair |
| 1995 | Strange Days | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1995 | Nine Months | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | Nine Months | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | Picture Bride | Sound | Sound Re-Recording Mixer | 59 Average |
| 1995 | The Hunted | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Disclosure | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1994 | The Lion King | Sound | Sound Re-Recording Mixer | 82 Very good |
| 1994 | Treasure Island: The Adventure Begins | Sound | Sound Re-Recording Mixer | 59 Average |
| 1994 | The Journey Inside | Sound | Sound Re-Recording Mixer | N/A N/A |
| 1993 | Mrs. Doubtfire | Sound | Assistant Sound Designer | 71 Good |
| 1993 | The Secret Garden | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1992 | Toys | Sound | Assistant Sound Designer | 55 Average |