About
Michael Barry
Overview
No biography available
Known for
Sound |
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| 2022 | Till | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2022 | Deep Water | Sound | Sound Re-Recording Mixer | 58 Average |
| 2021 | Dear Evan Hansen | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2021 | Halston | Sound | Sound Re-Recording Mixer | 70 Good |
| 2019 | The Kitchen | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2019 | The Chaperone | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | The Upside | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | The Nutcracker and the Four Realms | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2018 | Night School | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2018 | The Seagull | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | Tully | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2017 | A Dog's Purpose | Sound | Sound Re-Recording Mixer | 74 Good |
| 2016 | Collateral Beauty | Sound | Sound Re-Recording Mixer | 70 Good |
| 2016 | The Comedian | Sound | Sound Re-Recording Mixer | 58 Average |
| 2016 | Cell | Sound | Sound Re-Recording Mixer | 50 Average |
| 2016 | Manhattan Night | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | Cop Car | Sound | Sound Re-Recording Mixer | 58 Average |
| 2015 | The Harvest | Sound | Supervising Sound Editor | 59 Average |
| 2015 | The Harvest | Sound | Sound Re-Recording Mixer | 59 Average |
| 2014 | The Drop | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2014 | The Hundred-Foot Journey | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2014 | Effie Gray | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Labor Day | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2013 | The Butler | Sound | Sound Re-Recording Mixer | 70 Good |
| 2013 | Phil Spector | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Greetings from Tim Buckley | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | Premium Rush | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2011 | Our Idiot Brother | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2010 | Shanghai | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | The Bounty Hunter | Sound | Sound Re-Recording Mixer | 58 Average |
| 2009 | The Yellow Handkerchief | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | Amelia | Sound | Sound Re-Recording Mixer | 58 Average |
| 2009 | Carriers | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2009 | Duplicity | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Ghost Town | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2008 | Mamma Mia! | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2007 | Grace Is Gone | Sound | Sound Re-Recording Mixer | 59 Average |
| 2007 | Michael Clayton | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2007 | The Nanny Diaries | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2006 | A Prairie Home Companion | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2005 | The Ice Harvest | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Melinda and Melinda | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2004 | The Stepford Wives | Sound | Sound Re-Recording Mixer | 57 Average |
| 2002 | 25th Hour | Sound | Sound Re-Recording Mixer | 70 Good |
| 2002 | People I Know | Sound | Sound Re-Recording Mixer | 57 Average |
| 2001 | Heist | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2001 | The Curse of the Jade Scorpion | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1999 | Harvest | Sound | Additional Sound Re-Recording Mixer | N/A N/A |
| 1998 | Happiness | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1998 | Next Stop Wonderland | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | The Object of My Affection | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | The Big Lebowski | Sound | Sound Re-Recording Mixer | 77 Good |
| 1997 | Men in Black | Sound | Sound Re-Recording Mixer | 71 Good |
| 1996 | The People vs. Larry Flynt | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1996 | Invasion of Privacy | Sound | Sound Re-Recording Mixer | 58 Average |
| 1996 | Big Night | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1996 | Striptease | Sound | Sound Re-Recording Mixer | 56 Average |
| 1996 | Fargo | Sound | Sound Re-Recording Mixer | 77 Good |
| 1996 | Before and After | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Angels and Insects | Sound | Sound Re-Recording Mixer | 59 Average |
| 1995 | Smoke | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1994 | Trevor | Sound | Sound Re-Recording Mixer | 59 Average |
| 1993 | Short Cuts | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1992 | Candyman | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1992 | Sketch Artist | Sound | ADR Recordist | 58 Average |
| 1992 | Sketch Artist | Sound | Sound Re-Recording Mixer | 58 Average |
| 1988 | Blades | Sound | Sound Re-Recording Mixer | 58 Average |
| 1988 | TV-Dad | Sound | Sound Mixer | N/A N/A |
| 1988 | Married to the Mob | Sound | ADR & Dubbing | 59 Average |
| 1988 | Tokyo Pop | Sound | Sound Re-Recording Mixer | 59 Average |
| 1987 | White Water Summer | Sound | Foley Mixer | 59 Average |
| 1987 | Raising Arizona | Sound | Foley | 68 Fair |