About
Lou Solakofski
Overview
No biography available
Known for
Sound |
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| 2022 | Women Talking | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2022 | All My Puny Sorrows | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Margaret Atwood: A Word After a Word After a Word Is Power | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Please Speak Continuously and Describe Your Experiences as They Come to You | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Anthropocene: The Human Epoch | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2017 | Alias Grace | Sound | Sound Re-Recording Mixer | 71 Good |
| 2016 | Into the Forest | Sound | Sound | 58 Average |
| 2015 | Hyena Road | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2015 | A Christmas Horror Story | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Haunter | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2012 | Stories We Tell | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2012 | Antiviral | Sound | Sound Re-Recording Mixer | 59 Average |
| 2011 | Take This Waltz | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2011 | Hobo with a Shotgun | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Passchendaele | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | My Dad Is 100 Years Old | Sound | Sound | 59 Average |
| 2006 | Silent Hill | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2005 | Burnt Toast | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2005 | Beowulf & Grendel | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Ginger Snaps Back: The Beginning | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | Luck | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Ginger Snaps 2: Unleashed | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2003 | El Contrato | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2003 | The Saddest Music in the World | Sound | Sound Designer | 60 Fair |
| 2002 | Salem Witch Trials | Sound | Sound Re-Recording Mixer | 59 Average |
| 2000 | Ginger Snaps | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2000 | This Might Be Good | Sound | Sound | N/A N/A |
| 2000 | The Heart of the World | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2000 | Camera | Sound | Sound | 59 Average |
| 1998 | Beefcake | Sound | Sound | 58 Average |
| 1997 | Afterglow | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | The Third Twin | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1997 | Joe's So Mean to Josephine | Sound | Sound Re-Recording Mixer | 58 Average |
| 1996 | Crash | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1995 | The Man in the Attic | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Stargate | Sound | Foley Recordist | 68 Fair |
| 1994 | Only You | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1992 | Meatballs 4: To the Rescue | Sound | Foley Mixer | 58 Average |
| 1992 | Meatballs 4: To the Rescue | Sound | Sound Re-Recording Assistant | 58 Average |
Crew |
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| 1999 | The Last 100 Days | Crew | Mix Technician | 59 Average |
| 1999 | The Battle of Vimy Ridge | Crew | Mix Technician | 59 Average |