About
Gregory H. Watkins
Overview
No biography available
Known for
Sound |
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| 2015 | Proof | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2013 | Copperhead | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Spring Breakers | Sound | Sound Re-Recording Mixer | 52 Average |
| 2013 | The Dyatlov Pass Incident | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | The Factory | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | The Company Men | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2010 | Just Wright | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2009 | The Marine 2 | Sound | Sound Re-Recording Mixer | 58 Average |
| 2009 | Up in the Air | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2009 | The Bleeding | Sound | Sound Re-Recording Mixer | 57 Average |
| 2009 | The Hangover | Sound | Sound Re-Recording Mixer | 72 Good |
| 2009 | 12 Rounds | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | The Sisterhood of the Traveling Pants 2 | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2008 | The Love Guru | Sound | Sound Re-Recording Mixer | 48 Bad |
| 2007 | The Condemned | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2007 | Redline | Sound | Sound Re-Recording Mixer | 57 Average |
| 2006 | Superman II: The Richard Donner Cut | Sound | Other | 64 Fair |
| 2006 | The Last Kiss | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | Beerfest | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | The Life Aquatic with Steve Zissou | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2000 | The In Crowd | Sound | Sound Re-Recording Mixer | 57 Average |
| 1999 | The Iron Giant | Sound | Sound Re-Recording Mixer | 77 Good |
| 1998 | Practical Magic | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1998 | Armageddon | Sound | Additional Sound Re-Recording Mixer | 67 Fair |
| 1997 | Alien Resurrection | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1997 | Turbulence | Sound | Sound Re-Recording Mixer | 57 Average |
| 1996 | The Long Kiss Goodnight | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1996 | The Truth About Cats & Dogs | Sound | Sound Re-Recording Mixer | 59 Average |
| 1995 | Jade | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | Crimson Tide | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1993 | Tombstone | Sound | Sound Re-Recording Mixer | 72 Good |
| 1993 | The Dark Half | Sound | Sound Re-Recording Mixer | 59 Average |
| 1993 | El Mariachi | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1993 | Nowhere to Run | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1991 | Return to the Blue Lagoon | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1990 | Desperate Hours | Sound | Sound Re-Recording Mixer | 57 Average |
| 1990 | Dances with Wolves | Sound | Sound Re-Recording Mixer | 76 Good |
| 1989 | Perry Mason: The Case of the Lethal Lesson | Sound | Sound Re-Recording Mixer | 59 Average |
| 1988 | Backfire | Sound | Sound Re-Recording Mixer | 58 Average |
| 1988 | Perry Mason: The Case of the Lady in the Lake | Sound | Sound Re-Recording Mixer | 59 Average |
| 1988 | Perry Mason: The Case of the Avenging Ace | Sound | Sound Re-Recording Mixer | 59 Average |
| 1987 | Perry Mason: The Case of the Scandalous Scoundrel | Sound | Sound Re-Recording Mixer | 59 Average |
| 1987 | Perry Mason: The Case of the Murdered Madam | Sound | Sound Re-Recording Mixer | 59 Average |
| 1985 | Echo Park | Sound | Sound Re-Recording Mixer | 58 Average |
| 1984 | Maria's Lovers | Sound | ADR Mixer | 59 Average |
| 1984 | Electric Dreams | Sound | Sound Re-Recording Mixer | 59 Average |
| 1984 | The Pope of Greenwich Village | Sound | Sound Re-Recording Mixer | 59 Average |
| 1983 | 10 to Midnight | Sound | Sound Re-Recording Mixer | 59 Average |