About
Tom Debenham
Overview
No biography available
Known for
Directing |
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2014 | Under the Skin | Directing | Second Unit Director | 61 Fair |
Camera |
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2019 | The Fall | Camera | Director of Photography | 60 Fair |
2016 | Voyage of Time: The IMAX Experience | Camera | Director of Photography | 59 Average |
2014 | Canon: Urban Deer | Camera | Director of Photography | 59 Average |
2014 | Canon: Urban Deer | Camera | Director of Photography | 59 Average |
2014 | Under the Skin | Camera | Second Unit Director of Photography | 61 Fair |
Crew |
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2006 | V for Vendetta | Crew | Digital Effects Supervisor | 78 Good |
2002 | Harry Potter and the Chamber of Secrets | Crew | Sequence Supervisor | 76 Good |
Editing |
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2020 | Strasbourg 1518 | Editing | Colorist | 58 Average |
Visual Effects |
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2016 | Voyage of Time: The IMAX Experience | Visual Effects | VFX Supervisor | 59 Average |
2016 | Our Kind of Traitor | Visual Effects | Visual Effects Supervisor | 59 Average |
2014 | Under the Skin | Visual Effects | Visual Effects Supervisor | 61 Fair |
2012 | Cloud Atlas | Visual Effects | Visual Effects Supervisor | 68 Fair |
2005 | Breakfast on Pluto | Visual Effects | Visual Effects Supervisor | 64 Fair |
2004 | Beyond the Sea | Visual Effects | Visual Effects Supervisor | 59 Average |
2004 | Birth | Visual Effects | Visual Effects Supervisor | 59 Average |
2004 | The Chronicles of Riddick | Visual Effects | Visual Effects Supervisor | 64 Fair |
1999 | The Bone Collector | Visual Effects | Compositing Artist | 66 Fair |
1998 | Lost in Space | Visual Effects | Visual Effects Designer | 55 Average |