About
Rick Ash
Overview
Rick Ash is an American film and television Sound Re-Recording Mixer based in Los Angeles, California. He spent many years on staff at Todd-AO, began working for Widget Post in 2008, and joined the sound team at Periscope Post & Audio in 2019. He also has a long affiliation with Walt Disney Studios.
Known for
Sound |
||||
| 2024 | Bleeding Love | Sound | Sound Re-Recording Mixer | 59 Average |
| 2023 | Jamojaya | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2020 | The Thing About Harry | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2016 | 20th Century Women | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2016 | Captain Fantastic | Sound | Sound Re-Recording Mixer | 77 Good |
| 2015 | The Returned | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2013 | 12 Rounds 2: Reloaded | Sound | Sound Re-Recording Mixer | 57 Average |
| 2009 | The Last House on the Left | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2009 | Thick as Thieves | Sound | Sound Re-Recording Mixer | 59 Average |
| 2007 | The Mist | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2007 | Bury My Heart at Wounded Knee | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2006 | Pu-239 | Sound | Sound | 59 Average |
| 2006 | Little Miss Sunshine | Sound | Sound Re-Recording Mixer | 75 Good |
| 2005 | Crash | Sound | Sound Re-Recording Mixer | 70 Good |
| 2004 | The Life and Death of Peter Sellers | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2004 | The Brown Bunny | Sound | Sound | 57 Average |
| 2004 | Maria Full of Grace | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2003 | The Shape of Things | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | Live from Baghdad | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | Real Women Have Curves | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | The Pilot's Wife | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | I Am Sam | Sound | Sound Re-Recording Mixer | 72 Good |
| 2001 | Black Hawk Down | Sound | Additional Sound Re-Recording Mixer | 72 Good |
| 2001 | The Mummy Returns | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2001 | 15 Minutes | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Under Suspicion | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | Buffalo '66 | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1997 | Four Days in September | Sound | Sound | 61 Fair |
| 1996 | Alaska | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Mad Love | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | Heavyweights | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1994 | The Puppet Masters | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Pulp Fiction | Sound | Sound | 84 Very good |
| 1994 | When a Man Loves a Woman | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1994 | Cabin Boy | Sound | Sound Re-Recording Mixer | 57 Average |
| 1993 | Mother's Boys | Sound | Sound Re-Recording Mixer | 58 Average |
| 1993 | Star | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | Straight Talk | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | A Woman Scorned: The Betty Broderick Story | Sound | Sound Re-Recording Mixer | 58 Average |
| 1989 | Heathers | Sound | Sound Re-Recording Mixer | 69 Fair |
| 1988 | Night of the Demons | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1987 | The Caller | Sound | Foley Mixer | 58 Average |
| 1987 | The Caller | Sound | ADR Mixer | 58 Average |
| 1986 | Stand by Me | Sound | Foley Artist | 77 Good |
| 1985 | Do You Remember Love | Sound | Sound Mixer | N/A N/A |