About
John T. Reitz
Overview
No biography available
Known for
Sound |
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| 2019 | Richard Jewell | Sound | Sound Re-Recording Mixer | 71 Good |
| 2018 | The Mule | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | Sicario: Day of the Soldado | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | The 15:17 to Paris | Sound | Sound Re-Recording Mixer | 55 Average |
| 2016 | Sully | Sound | Sound Re-Recording Mixer | 71 Good |
| 2016 | War Dogs | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2015 | Sicario | Sound | Sound Re-Recording Mixer | 73 Good |
| 2014 | American Sniper | Sound | Sound Re-Recording Mixer | 73 Good |
| 2013 | Prisoners | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2013 | Pacific Rim | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2012 | Argo | Sound | Sound Re-Recording Mixer | 71 Good |
| 2011 | Arthur | Sound | Sound Re-Recording Mixer | 56 Average |
| 2011 | The Rite | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2010 | Hereafter | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2010 | Edge of Darkness | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2009 | Whiteout | Sound | Sound Re-Recording Mixer | 57 Average |
| 2008 | Gran Torino | Sound | Sound Re-Recording Mixer | 79 Good |
| 2008 | Changeling | Sound | Sound Re-Recording Mixer | 74 Good |
| 2008 | Appaloosa | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2007 | Fred Claus | Sound | Sound Re-Recording Mixer | 58 Average |
| 2007 | The Invasion | Sound | Sound Re-Recording Mixer | 59 Average |
| 2007 | The Reaping | Sound | Sound Re-Recording Mixer | 58 Average |
| 2006 | Letters from Iwo Jima | Sound | Sound Re-Recording Mixer | 71 Good |
| 2006 | Flags of Our Fathers | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2006 | The Illusionist | Sound | Sound Re-Recording Mixer | 71 Good |
| 2005 | Four Brothers | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2005 | The Dukes of Hazzard | Sound | Sound | 56 Average |
| 2005 | Constantine | Sound | Sound Re-Recording Mixer | 70 Good |
| 2004 | In Good Company | Sound | Sound | 59 Average |
| 2004 | Catwoman | Sound | Sound Re-Recording Mixer | 47 Bad |
| 2003 | The Matrix Revolutions | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2003 | The Matrix Reloaded | Sound | Sound Re-Recording Mixer | 70 Good |
| 2003 | Basic | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2002 | Showtime | Sound | Sound Re-Recording Mixer | 56 Average |
| 2002 | Collateral Damage | Sound | Sound Re-Recording Mixer | 57 Average |
| 2001 | American Outlaws | Sound | Sound Re-Recording Mixer | 59 Average |
| 2001 | Swordfish | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2000 | Pay It Forward | Sound | Sound Re-Recording Mixer | 70 Good |
| 2000 | The Perfect Storm | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2000 | Battlefield Earth | Sound | Sound Re-Recording Mixer | 42 Bad |
| 2000 | Romeo Must Die | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2000 | An Extremely Goofy Movie | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1999 | The Bone Collector | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1999 | Deep Blue Sea | Sound | Sound Re-Recording Mixer | 59 Average |
| 1999 | The Matrix | Sound | Sound Re-Recording Mixer | 81 Very good |
| 1999 | True Crime | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1998 | Soldier | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1998 | Quest for Camelot | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1997 | Red Corner | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1997 | Conspiracy Theory | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1997 | Truth or Consequences, N.M. | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | Absolute Power | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1996 | Space Jam | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1996 | Tin Cup | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Executive Decision | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1995 | Assassins | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1995 | Outbreak | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1994 | Ri¢hie Ri¢h | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | D2: The Mighty Ducks | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1994 | My Father the Hero | Sound | Sound Re-Recording Mixer | 57 Average |
| 1993 | Needful Things | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1993 | Swing Kids | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1992 | The Distinguished Gentleman | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | Honey, I Blew Up the Kid | Sound | Sound Re-Recording Mixer | 54 Average |
| 1992 | White Men Can't Jump | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1991 | The Rocketeer | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1990 | Air America | Sound | Sound Re-Recording Mixer | 58 Average |
| 1989 | Honey, I Shrunk the Kids | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1989 | Warlock | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1989 | DeepStar Six | Sound | Sound Re-Recording Mixer | 57 Average |
| 1987 | Planes, Trains and Automobiles | Sound | Sound Re-Recording Mixer | 69 Fair |
| 1987 | Less Than Zero | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1987 | Inside Out | Sound | Sound Re-Recording Mixer | 59 Average |
| 1987 | The Brave Little Toaster | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1987 | Hot Pursuit | Sound | Sound Re-Recording Mixer | 58 Average |
| 1987 | In Love and War | Sound | Sound | 58 Average |
| 1986 | Soul Man | Sound | Sound Re-Recording Mixer | 57 Average |
| 1986 | Stand by Me | Sound | Sound Re-Recording Mixer | 77 Good |
| 1986 | Out of Bounds | Sound | Sound Re-Recording Mixer | 58 Average |
| 1985 | Real Genius | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1985 | Fright Night | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1984 | Lovelines | Sound | Sound Re-Recording Mixer | 58 Average |
| 1984 | The Burning Bed | Sound | Sound Re-Recording Mixer | 59 Average |
| 1984 | Savage Streets | Sound | Sound Re-Recording Mixer | 59 Average |
| 1984 | The Adventures of Buckaroo Banzai Across the 8th Dimension | Sound | Sound Re-Recording Mixer | 59 Average |
| 1984 | Bachelor Party | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1984 | Footloose | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1983 | Risky Business | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1983 | Still Smokin | Sound | Sound Re-Recording Mixer | 58 Average |
| 1982 | Prime Suspect | Sound | Sound Re-Recording Mixer | 59 Average |
| 1981 | Hard Country | Sound | Sound Re-Recording Mixer | 58 Average |
| 1981 | The Choice | Sound | Sound Mixer | N/A N/A |
| 1980 | Coast to Coast | Sound | Sound Re-Recording Mixer | 58 Average |
| 1980 | Airplane! | Sound | Sound Re-Recording Mixer | 71 Good |
| 1980 | Bronco Billy | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1979 | Escape from Alcatraz | Sound | Sound Re-Recording Mixer | 72 Good |
| 1978 | Days of Heaven | Sound | Sound Effects | 69 Fair |
| 1977 | Saturday Night Fever | Sound | Sound Re-Recording Mixer | 65 Fair |
Crew |
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| 1992 | Notorious | Crew | Sound Recordist | 58 Average |