About
Patrice Lucien Cochet
Overview
With an MFA in Cinematography from the American Film Institute, Patrice Cochet is a 4 time Sundance Alumni award winning French cinematographer. His work spans between dramatic, comedic, mystery, thrillers, and family feature films. All with close attention to finding unique visual true lines. Beyond having shot over 30 scripted features and over 30 for TV, movies, commercial, and music videos, Cochet has also served as a mentor to many young filmmakers at the Sundance Director’s Lab and at Columbia College in Hollywood. Cochet was noticed for his work on Sundance favorites Better Luck Tomorrow, The End of Love, The Good Life, and Joshy. His work on Explicit Ills won him a special jury award for Best Cinematography at SXSW. Cochet has been called “a gifted Cinematographer” by The Los Angeles Times, “technically scorchingly good" and "great at capturing emotional rawness” by The Hollywood Reporter and “making a small indie film look as glossy as a megamillion studio production” by Roger Ebert.
Known for
Camera |
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2023 | Out of Hand | Camera | Director of Photography | N/A N/A |
2023 | Hot Girl Winter | Camera | Director of Photography | 59 Average |
2023 | A Wesley Christmas Wedding | Camera | Director of Photography | 59 Average |
2023 | Deadly Entanglement | Camera | Director of Photography | N/A N/A |
2023 | Daughter of the Bride | Camera | Director of Photography | 59 Average |
2022 | Christmas with My Ex | Camera | Director of Photography | 59 Average |
2019 | His Deadly Affair | Camera | Director of Photography | 59 Average |
2019 | Stressed to Death | Camera | Director of Photography | 59 Average |
2019 | The Place of No Words | Camera | Director of Photography | 59 Average |
2019 | Sunrise in Heaven | Camera | Director of Photography | 59 Average |
2019 | Deadly Excursion | Camera | Director of Photography | 59 Average |
2018 | A Stone Cold Christmas | Camera | Director of Photography | 59 Average |
2018 | Left for Dead | Camera | Director of Photography | 59 Average |
2018 | Rottentail | Camera | Director of Photography | 58 Average |
2018 | Evil Doctor | Camera | Director of Photography | 59 Average |
2017 | The Trouble with Mistletoe | Camera | Director of Photography | 59 Average |
2017 | Flesh and Blood | Camera | Director of Photography | 58 Average |
2017 | Scales: Mermaids Are Real | Camera | Director of Photography | 58 Average |
2017 | Running Away | Camera | Director of Photography | 59 Average |
2017 | The Tiger Hunter | Camera | Director of Photography | 58 Average |
2016 | Joshy | Camera | Director of Photography | 58 Average |
2016 | A Father's Secret | Camera | Director of Photography | 58 Average |
2015 | Wiener Dog Internationals | Camera | Director of Photography | 58 Average |
2014 | Live Nude Girls | Camera | Director of Photography | 58 Average |
2014 | Ask Me Anything | Camera | Director of Photography | 57 Average |
2013 | The End of Love | Camera | Director of Photography | 59 Average |
2010 | Radio Free Albemuth | Camera | Director of Photography | 58 Average |
2008 | Explicit Ills | Camera | Director of Photography | 59 Average |
2007 | The Good Life | Camera | Director of Photography | 59 Average |
2004 | L.A. Twister | Camera | Director of Photography | 59 Average |
2003 | Art of Revenge | Camera | Director of Photography | 58 Average |
2002 | Chance | Camera | Camera Operator | 59 Average |
2002 | Chance | Camera | Director of Photography | 59 Average |
2002 | Better Luck Tomorrow | Camera | Director of Photography | 59 Average |
Crew |
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2013 | Wiener Dog Nationals | Crew | Cinematography | 59 Average |
2012 | Excavating the 2000 Year Old Man | Crew | Cinematography | N/A N/A |
Editing |
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2002 | Chance | Editing | Color Timer | 59 Average |