About
Michel Auder
Overview
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Known for
Acting |
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2019 | Fictional Art Film | Actor | Director | N/A N/A |
2008 | The Feature | Actor | 59 Average |
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2003 | Apocalypse Later - Hudson | Actor | N/A N/A |
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1999 | Bitte Danke | Actor | N/A N/A |
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1997 | Birth of a Nation | Actor | Self | 58 Average |
1993 | My Last Bag of Heroin (For Real) | Actor | N/A N/A |
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1972 | Chronicles: Morocco | Actor | N/A N/A |
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1970 | Langlois | Actor | Self | 59 Average |
1970 | The Stone Age | Actor | N/A N/A |
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1969 | Fun and Games for Everyone | Actor | 59 Average |
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1968 | Home Movie : Marrakech | Actor | N/A N/A |
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1968 | Chromo sud | Actor | 59 Average |
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1967 | Homeo | Actor | Self | 59 Average |
Directing |
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2019 | Fictional Art Film | Directing | Director | N/A N/A |
2019 | High Life | Directing | Director | N/A N/A |
2017 | The Course of Empire | Directing | Director | N/A N/A |
2017 | Gulf War TV War | Directing | Director | N/A N/A |
2016 | Phone content HQ6s02 BERLIN CAMERAROLL | Directing | Director | N/A N/A |
2015 | 1967 | Directing | Director | N/A N/A |
2013 | Daytime Version of the Night | Directing | Director | N/A N/A |
2012 | Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You) | Directing | Director | N/A N/A |
2011 | Narcolepsy | Directing | Director | N/A N/A |
2011 | Endless Column | Directing | Director | N/A N/A |
2009 | Confession | Directing | Director | N/A N/A |
2009 | Heads in Love | Directing | Director | N/A N/A |
2009 | Shoppingheads | Directing | Director | N/A N/A |
2009 | Blind Sex | Directing | Director | N/A N/A |
2008 | The Feature | Directing | Director | 59 Average |
2008 | Chelsea, Manhattan - NYC | Directing | Director | N/A N/A |
2007 | It's Hard to Be Down When You're Up | Directing | Director | N/A N/A |
2003 | Apocalypse Later - Hudson | Directing | Director | N/A N/A |
1999 | Bitte Danke | Directing | Director | N/A N/A |
1993 | Voyage to the Center of the Phone Lines | Directing | Director | 59 Average |
1993 | My Last Bag of Heroin (For Real) | Directing | Director | N/A N/A |
1993 | Polaroid Cocaine | Directing | Director | N/A N/A |
1991 | Roman Variations | Directing | Director | N/A N/A |
1988 | Magnetic Notes, 1986-1987 | Directing | Director | N/A N/A |
1988 | Brooding Angels | Directing | Director | N/A N/A |
1981 | Coupla White Faggots Sitting Around Talking | Directing | Director | N/A N/A |
1981 | Talking Head | Directing | Director | N/A N/A |
1979 | 48 Hours in 8 Minutes | Directing | Director | N/A N/A |
1979 | Jesus | Directing | Director | N/A N/A |
1978 | My Love | Directing | Director | N/A N/A |
1977 | Made for Denise | Directing | Director | N/A N/A |
1976 | Chelsea Girls with Andy Warhol | Directing | Director | 59 Average |
1972 | Chronicles: Morocco | Directing | Director | N/A N/A |
1971 | The Valerie Solanas Incident | Directing | Director | N/A N/A |
1970 | Cleopatra | Directing | Director | 59 Average |
1969 | Keeping Busy | Directing | Director | N/A N/A |
Writing |
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2008 | The Feature | Writing | Writer | 59 Average |
1979 | Jesus | Writing | Writer | N/A N/A |
Production |
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1979 | Jesus | Production | Producer | N/A N/A |
Crew |
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2008 | The Feature | Crew | Cinematography | 59 Average |
Editing |
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1979 | Jesus | Editing | Editor | N/A N/A |