About
Vanessa Renwick
Overview
Vanessa Olivia Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois. They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon.
Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.
Known for
Acting |
||||
2012 | SF HITCH | Actor | Narrator (voice) | N/A N/A |
1984 | Crowdog | Actor | Narrator (voice) | N/A N/A |
Directing |
||||
2022 | Bells in Five | Directing | Director | N/A N/A |
2020 | The Girl on the Boat | Directing | Director | N/A N/A |
2019 | Cold Holy Water | Directing | Director | N/A N/A |
2018 | Kesh | Directing | Director | N/A N/A |
2016 | NEXT LEVEL FUCKED UP | Directing | Director | N/A N/A |
2015 | CRACK HOUSE | Directing | Director | 59 Average |
2014 | The Film That Buys the Cinema | Directing | Director | N/A N/A |
2014 | layover | Directing | Director | N/A N/A |
2012 | SF HITCH | Directing | Director | N/A N/A |
2006 | Portrait #2: Trojan | Directing | Director | N/A N/A |
2003 | Britton, South Dakota | Directing | Director | N/A N/A |
2002 | 9 is a Secret | Directing | Director | N/A N/A |
2001 | Richart | Directing | Director | N/A N/A |
1998 | The Yodeling Lesson | Directing | Director | N/A N/A |
1994 | Worse | Directing | Director | N/A N/A |
1984 | Crowdog | Directing | Director | N/A N/A |
1983 | Toxic Shock | Directing | Director | N/A N/A |
Portrait #1: Cascadia Terminal | Directing | Director | 59 Average |
|
Lovejoy | Directing | Director | 59 Average |
|
Writing |
||||
2012 | SF HITCH | Writing | Writer | N/A N/A |
1984 | Crowdog | Writing | Story | N/A N/A |
Camera |
||||
2001 | Richart | Camera | Director of Photography | N/A N/A |
2000 | Nest of Tens | Camera | Director of Photography | 58 Average |
1998 | The Amateurist | Camera | Camera Operator | 59 Average |
Crew |
||||
2016 | NEXT LEVEL FUCKED UP | Crew | Cinematography | N/A N/A |
2015 | CRACK HOUSE | Crew | Cinematography | 59 Average |
2012 | SF HITCH | Crew | Cinematography | N/A N/A |
1998 | The Yodeling Lesson | Crew | Cinematography | N/A N/A |
1994 | Worse | Crew | Cinematography | N/A N/A |
1984 | Crowdog | Crew | Cinematography | N/A N/A |
Editing |
||||
2018 | Kesh | Editing | Editor | N/A N/A |
2016 | NEXT LEVEL FUCKED UP | Editing | Editor | N/A N/A |
2015 | CRACK HOUSE | Editing | Editor | 59 Average |
2014 | layover | Editing | Editor | N/A N/A |
2012 | SF HITCH | Editing | Editor | N/A N/A |
2006 | Portrait #2: Trojan | Editing | Editor | N/A N/A |
2003 | Britton, South Dakota | Editing | Editor | N/A N/A |
1998 | The Yodeling Lesson | Editing | Editor | N/A N/A |
1994 | Worse | Editing | Editor | N/A N/A |
1984 | Crowdog | Editing | Editor | N/A N/A |