About
Paul Massey
Overview
Paul Massey (born 10 February 1958) is an English sound engineer working based in Southern California. He has been nominated for ten Academy Awards in the category Best Sound. He has worked on 200-plus films since 1982. He won the Academy Award for Best Sound Mixing in 2019 for Bohemian Rhapsody along with John Casali and Tim Cavagin. In 2022 Massey received the Cinema Audio Society’s Career Achievement Award at the 58th annual CAS Awards.
Known for
Sound |
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| 2025 | How to Train Your Dragon | Sound | Sound Re-Recording Mixer | N/A N/A |
| 2024 | A Complete Unknown | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2024 | Gladiator II | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2024 | The Killer | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2024 | The Book of Clarence | Sound | Sound Re-Recording Mixer | 58 Average |
| 2023 | The Color Purple | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2023 | Wonka | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2023 | Candy Cane Lane | Sound | Sound Re-Recording Mixer | 59 Average |
| 2023 | Napoleon | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2023 | The Monkey King | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2023 | Indiana Jones and the Dial of Destiny | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2023 | Dungeons & Dragons: Honor Among Thieves | Sound | Sound Re-Recording Mixer | 71 Good |
| 2022 | Catherine Called Birdy | Sound | ADR Mixer | 59 Average |
| 2022 | Moonage Daydream | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2022 | Secret Headquarters | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2022 | Morbius | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | The Lost City | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2021 | The King's Man | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2021 | House of Gucci | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2021 | The Last Duel | Sound | Sound Re-Recording Mixer | 72 Good |
| 2021 | No Time to Die | Sound | Sound Re-Recording Mixer | 72 Good |
| 2021 | Everybody's Talking About Jamie | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | Summer of Soul (...Or, When the Revolution Could Not Be Televised) | Sound | Additional Sound Re-Recording Mixer | 63 Fair |
| 2020 | Eurovision Song Contest: The Story of Fire Saga | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2020 | Spenser Confidential | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2019 | Ford v Ferrari | Sound | Sound Re-Recording Mixer | 78 Good |
| 2019 | Breakthrough | Sound | Sound Re-Recording Mixer | 70 Good |
| 2018 | Bohemian Rhapsody | Sound | Sound Re-Recording Mixer | 79 Good |
| 2018 | Mile 22 | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2018 | Deadpool 2 | Sound | Sound Re-Recording Mixer | 74 Good |
| 2017 | The Greatest Showman | Sound | Sound Re-Recording Mixer | 77 Good |
| 2017 | Suburbicon | Sound | Sound Re-Recording Mixer | 58 Average |
| 2017 | The Mummy | Sound | Sound Re-Recording Mixer | 55 Average |
| 2017 | Pirates of the Caribbean: Dead Men Tell No Tales | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2017 | Alien: Covenant | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2017 | Logan | Sound | Sound Re-Recording Mixer | 77 Good |
| 2017 | A Cure for Wellness | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2016 | X-Men: Apocalypse | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2016 | The Nice Guys | Sound | Sound Re-Recording Mixer | 70 Good |
| 2016 | Deadpool | Sound | Sound Re-Recording Mixer | 75 Good |
| 2015 | The Martian | Sound | Sound Re-Recording Mixer | 76 Good |
| 2015 | Fantastic Four | Sound | Sound Re-Recording Mixer | 45 Bad |
| 2014 | Big Eyes | Sound | Additional Sound Re-Recording Mixer | 68 Fair |
| 2014 | Exodus: Gods and Kings | Sound | Sound Re-Recording Mixer | 58 Average |
| 2014 | The Monuments Men | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2013 | One Direction: This Is Us | Sound | Sound Re-Recording Mixer | 75 Good |
| 2013 | After Earth | Sound | Sound Re-Recording Mixer | 52 Average |
| 2013 | The Host | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2012 | The Amazing Spider-Man | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2012 | Think Like a Man | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2012 | Battleship | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | In Time | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2011 | Real Steel | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2011 | Pirates of the Caribbean: On Stranger Tides | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2011 | Battle: Los Angeles | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Rango | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2010 | Knight and Day | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2010 | Knight and Day | Sound | Sound Mixer | 61 Fair |
| 2010 | Robin Hood | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2010 | Tooth Fairy | Sound | Sound Re-Recording Mixer | 55 Average |
| 2009 | All About Steve | Sound | Sound Re-Recording Mixer | 52 Average |
| 2009 | The Taking of Pelham 1 2 3 | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2009 | Night at the Museum: Battle of the Smithsonian | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2009 | Star Trek | Sound | Sound Re-Recording Mixer | 73 Good |
| 2008 | The X Files: I Want to Believe | Sound | Sound Mixer | 58 Average |
| 2008 | Meet Dave | Sound | Sound Re-Recording Mixer | 54 Average |
| 2008 | Jumper | Sound | Sound Mixer | 61 Fair |
| 2007 | Alvin and the Chipmunks | Sound | Sound Mixer | 58 Average |
| 2007 | 3:10 to Yuma | Sound | Sound Mixer | 70 Good |
| 2006 | For Your Consideration | Sound | Sound Re-Recording Mixer | 58 Average |
| 2006 | Amazing Grace | Sound | Sound Mixer | 62 Fair |
| 2006 | A Good Year | Sound | Sound Mixer | 64 Fair |
| 2006 | Pirates of the Caribbean: Dead Man's Chest | Sound | Sound Mixer | 73 Good |
| 2005 | The Weather Man | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2005 | Lord of War | Sound | Sound Mixer | 71 Good |
| 2005 | Walk the Line | Sound | Sound Re-Recording Mixer | 72 Good |
| 2005 | Hide and Seek | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2004 | I, Robot | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2003 | Master and Commander: The Far Side of the World | Sound | Sound Re-Recording Mixer | 70 Good |
| 2003 | The Rundown | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2003 | X2 | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2003 | Old School | Sound | Recording Supervision | 64 Fair |
| 2003 | Daredevil | Sound | Sound Re-Recording Mixer | 53 Average |
| 2002 | Enough | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2002 | Unfaithful | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2002 | Ice Age | Sound | Sound Re-Recording Mixer | 73 Good |
| 2001 | Hannibal | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2001 | From Hell | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2000 | Bedazzled | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2000 | Almost Famous | Sound | Sound Re-Recording Mixer | 72 Good |
| 2000 | Big Momma's House | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Mission: Impossible II | Sound | Additional Sound Re-Recording Mixer | 61 Fair |
| 1999 | Big Daddy | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1999 | Cruel Intentions | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1999 | In Dreams | Sound | Additional Sound Re-Recording Mixer | 57 Average |
| 1998 | The Negotiator | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1998 | My Giant | Sound | Sound Re-Recording Mixer | 57 Average |
| 1998 | Wild Things | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1998 | The Replacement Killers | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1997 | Gattaca | Sound | Sound Re-Recording Mixer | 74 Good |
| 1996 | Jerry Maguire | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1996 | The Long Kiss Goodnight | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1996 | Extreme Measures | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Last Man Standing | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1996 | All Dogs Go to Heaven 2 | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Happy Gilmore | Sound | Sound Re-Recording Mixer | 64 Fair |
| 1995 | Nixon | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1995 | Clueless | Sound | Sound Re-Recording Mixer | 71 Good |
| 1995 | While You Were Sleeping | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1994 | Legends of the Fall | Sound | Sound Re-Recording Mixer | 71 Good |
| 1994 | Milk Money | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1994 | Beverly Hills Cop III | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Ace Ventura: Pet Detective | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1993 | Body of Evidence | Sound | Sound Re-Recording Mixer | 55 Average |
| 1992 | The Last of the Mohicans | Sound | Sound Re-Recording Mixer | 71 Good |
| 1991 | Necessary Roughness | Sound | Sound Re-Recording Mixer | 58 Average |
| 1991 | Boyz n the Hood | Sound | Sound Re-Recording Mixer | 72 Good |
| 1990 | Kaleidoscope | Sound | Sound Re-Recording Mixer | 58 Average |
| 1989 | Prancer | Sound | Sound Re-Recording Mixer | 58 Average |
| 1989 | Speed Zone | Sound | Sound Re-Recording Mixer | 56 Average |
Crew |
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| 1989 | Bye Bye Blues | Crew | Mix Technician | 58 Average |