About
Jonathan Wales
Overview
Jonathan Wales is an award-winning Re-Recording Mixer with over 30 years in the business. He is currently at Warner Bros. Studios but has worked for Universal Pictures, Wilshire Stages and was the founder and CEO at Sonic Magic Studios , CEO at Wildfire Sonic Magic and president at Satellite Post Production. He is known for Get Out (2017), Memento (2000) and Gaga: Five Foot Two (2017).
Known for
Sound |
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| 2025 | The Life of Chuck | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2025 | The Life of Chuck | Sound | Supervising Sound Editor | 63 Fair |
| 2025 | The Life of Chuck | Sound | Scoring Mixer | 63 Fair |
| 2025 | Fear Street: Prom Queen | Sound | Scoring Mixer | 56 Average |
| 2025 | Final Destination Bloodlines | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2025 | Drop | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2024 | The First Omen | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2023 | Five Nights at Freddy's | Sound | Scoring Mixer | 72 Good |
| 2023 | We Have a Ghost | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2023 | You People | Sound | Sound Re-Recording Mixer | 57 Average |
| 2022 | The Black Phone | Sound | Sound Re-Recording Mixer | 74 Good |
| 2021 | Midnight Mass | Sound | Sound Re-Recording Mixer | 74 Good |
| 2021 | Midnight Mass | Sound | Supervising Sound Editor | 74 Good |
| 2021 | The Forever Purge | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2020 | The Haunting of Bly Manor | Sound | ADR Mixer | 75 Good |
| 2020 | Spree | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2020 | Spree | Sound | Supervising Sound Editor | 61 Fair |
| 2020 | Ghosts of War | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2018 | Time Freak | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2018 | The Haunting of Hill House | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2018 | Redbad | Sound | Supervising Sound Editor | 59 Average |
| 2017 | Kidnap | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2017 | Get Out | Sound | Sound Re-Recording Mixer | 75 Good |
| 2016 | Ouija: Origin of Evil | Sound | Supervising Sound Editor | 60 Fair |
| 2016 | Don't Breathe | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2016 | Hush | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2015 | Admiral | Sound | Sound Editor | 60 Fair |
| 2015 | Admiral | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2014 | Keep On Keepin’ On | Sound | Sound Mixer | 59 Average |
| 2013 | Oldboy | Sound | Sound Mixer | 58 Average |
| 2013 | Dead in Tombstone | Sound | Sound Re-Recording Mixer | 55 Average |
| 2013 | RED 2 | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2013 | Evil Dead | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2013 | Death Race: Inferno | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | Liz & Dick | Sound | Sound Re-Recording Mixer | 56 Average |
| 2012 | The Man with the Iron Fists | Sound | Sound Re-Recording Mixer | 56 Average |
| 2012 | 10 Years | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | Assassin's Bullet | Sound | Sound Re-Recording Mixer | 56 Average |
| 2012 | TalhotBlond | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Chernobyl Diaries | Sound | Sound Re-Recording Mixer | 54 Average |
| 2012 | Jesus Henry Christ | Sound | Sound Mixer | 59 Average |
| 2012 | Rites of Passage | Sound | Sound Re-Recording Mixer | 57 Average |
| 2012 | Casa de Mi Padre | Sound | Sound Re-Recording Mixer | 56 Average |
| 2011 | The Double | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Elephant White | Sound | Sound Re-Recording Mixer | 56 Average |
| 2011 | Cat Run | Sound | Sound Re-Recording Mixer | 57 Average |
| 2011 | Mean Girls 2 | Sound | Sound Mixer | 54 Average |
| 2010 | Chain Letter | Sound | Sound Mixer | 55 Average |
| 2010 | Unthinkable | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2010 | Sympathy for Delicious | Sound | Sound Mixer | 58 Average |
| 2010 | The Prince & Me 4: The Elephant Adventure | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Waiting for Forever | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | Bad Lieutenant: Port of Call - New Orleans | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2008 | Righteous Kill | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | The Babysitters | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | Stiletto | Sound | Sound Re-Recording Mixer | 57 Average |
| 2008 | Hero Wanted | Sound | Sound Re-Recording Mixer | 57 Average |
| 2008 | OTIS | Sound | Sound Mixer | 58 Average |
| 2007 | The Flock | Sound | Sound Mixer | 57 Average |
| 2007 | Dead Tone | Sound | Sound Re-Recording Mixer | 56 Average |
| 2007 | Bordertown | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2007 | The Good Life | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | Turistas | Sound | Sound Re-Recording Mixer | 56 Average |
| 2006 | Lonely Hearts | Sound | Sound Re-Recording Mixer | 59 Average |
| 2006 | Ultraviolet | Sound | Sound Re-Recording Mixer | 53 Average |
| 2005 | American Pie Presents: Band Camp | Sound | Sound Re-Recording Mixer | 55 Average |
| 2005 | Diary of a Mad Black Woman | Sound | Sound Mixer | 60 Fair |
| 2005 | Diary of a Mad Black Woman | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2004 | Land of Plenty | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | A Love Song for Bobby Long | Sound | Sound | 62 Fair |
| 2004 | Madhouse | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Three Way | Sound | Sound Re-Recording Mixer | 57 Average |
| 2004 | Tremors 4: The Legend Begins | Sound | Sound Re-Recording Mixer | 57 Average |
| 2003 | The Boys & Girl from County Clare | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | Out for a Kill | Sound | Sound Re-Recording Mixer | 54 Average |
| 2002 | One Hour Photo | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2001 | Domestic Disturbance | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Replicant | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | For the Cause | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | Memento | Sound | Sound Re-Recording Mixer | 81 Very good |
| 2000 | Bring It On | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2000 | Stranger Than Fiction | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | BitterSweet | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | Guinevere | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | Heist | Sound | Dialogue Editor | N/A N/A |
| 1999 | The Base | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Phantasm IV: Oblivion | Sound | Sound Re-Recording Mixer | 56 Average |
| 1998 | Phantasm IV: Oblivion | Sound | Supervising Sound Editor | 56 Average |
| 1997 | Lured Innocence | Sound | Sound Re-Recording Mixer | 58 Average |
Crew |
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| 1998 | The Modern Adventures of Tom Sawyer | Crew | Mix Technician | 58 Average |