About
Mark Taylor
Overview
Mark Taylor (born 1 December 1966 in Farnborough, Kent, England) is a sound effects mixer.
Taylor has won two Primetime Emmy Awards. The first in 2000 for his work on RKO 281, and his second in 2002 for Band of Brothers. In 2014, Taylor and his fellow sound mixers were nominated for an Academy Award for Best Sound Mixing for the 2013 film Captain Phillips. Mark Taylor was nominated again at the 88th Academy Awards for the film The Martian.
Known for
Sound |
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| 2024 | IF | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2024 | The Ministry of Ungentlemanly Warfare | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2023 | A Haunting in Venice | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2023 | Mission: Impossible - Dead Reckoning Part One | Sound | Sound Re-Recording Mixer | 73 Good |
| 2023 | Operation Fortune: Ruse de Guerre | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2022 | Top Gun: Maverick | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2022 | The Northman | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2021 | No Time to Die | Sound | Sound Effects Editor | 72 Good |
| 2021 | No Time to Die | Sound | Sound Re-Recording Mixer | 72 Good |
| 2021 | Hitman's Wife's Bodyguard | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2019 | 1917 | Sound | Sound Re-Recording Mixer | 79 Good |
| 2019 | Aladdin | Sound | Sound Re-Recording Mixer | 70 Good |
| 2018 | Hunter Killer | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | 22 July | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2018 | Tomb Raider | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2018 | The Current War | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2017 | All the Money in the World | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2017 | Suburbicon | Sound | Sound Re-Recording Mixer | 58 Average |
| 2016 | Morgan | Sound | Supervising Sound Editor | 58 Average |
| 2016 | Jason Bourne | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2015 | The Martian | Sound | Sound Re-Recording Mixer | 76 Good |
| 2015 | The Martian | Sound | Sound Effects Editor | 76 Good |
| 2015 | Legend | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2014 | Big Eyes | Sound | Additional Sound Re-Recording Mixer | 68 Fair |
| 2014 | Exodus: Gods and Kings | Sound | Sound Effects Editor | 58 Average |
| 2014 | Edge of Tomorrow | Sound | Sound Re-Recording Mixer | 75 Good |
| 2014 | The Monuments Men | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2013 | Captain Phillips | Sound | Sound Re-Recording Mixer | 73 Good |
| 2013 | Captain Phillips | Sound | Foley Editor | 73 Good |
| 2012 | Wrath of the Titans | Sound | Sound Re-Recording Mixer | 57 Average |
| 2011 | Sherlock Holmes: A Game of Shadows | Sound | Sound Re-Recording Mixer | 70 Good |
| 2011 | Unknown | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2010 | Jackboots on Whitehall | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | Psychosis | Sound | Sound Re-Recording Mixer | 57 Average |
| 2010 | Clash of the Titans | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Green Zone | Sound | Sound Effects Editor | 63 Fair |
| 2009 | 44 Inch Chest | Sound | Sound Re-Recording Mixer | 58 Average |
| 2008 | Quantum of Solace | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2008 | Hellboy II: The Golden Army | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2008 | Vantage Point | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2007 | Harry Potter and the Order of the Phoenix | Sound | Sound Re-Recording Mixer | 76 Good |
| 2006 | Casino Royale | Sound | Sound Re-Recording Mixer | 74 Good |
| 2006 | Black Book | Sound | Sound Effects Editor | 70 Good |
| 2006 | 9/11: Fear in Silence | Sound | Music | N/A N/A |
| 2005 | Spirit Trap | Sound | Sound Re-Recording Mixer | 58 Average |
| 2005 | Kingdom of Heaven | Sound | Additional Sound Re-Recording Mixer | 68 Fair |
| 2005 | Valiant | Sound | Sound Re-Recording Mixer | 56 Average |
| 2003 | The Gathering | Sound | Sound Re-Recording Mixer | 57 Average |
| 2002 | The Four Feathers | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2002 | Possession | Sound | Sound Re-Recording Mixer | 59 Average |
| 2000 | Snatch | Sound | Sound Re-Recording Mixer | 76 Good |
| 2000 | RKO 281 | Sound | Sound Re-Recording Mixer | 59 Average |
| 1998 | Elizabeth | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1998 | EverAfter | Sound | ADR Recordist | 70 Good |
| 1996 | Trainspotting | Sound | Sound Re-Recording Mixer | 78 Good |
Crew |
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| 1997 | Body Projections | Crew | Technical Advisor | N/A N/A |