About
Robert Jackson
Overview
Robert C. Jackson is a supervising sound editor.
Known for
Sound |
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| 2021 | Jungle Cruise | Sound | Dialogue Editor | 71 Good |
| 2021 | Snake Eyes: G.I. Joe Origins | Sound | ADR Editor | 63 Fair |
| 2021 | The Forever Purge | Sound | ADR Supervisor | 67 Fair |
| 2020 | Emperor | Sound | Dialogue Editor | 61 Fair |
| 2019 | Annabelle Comes Home | Sound | Supervising ADR Editor | 63 Fair |
| 2018 | Creed II | Sound | Dialogue Editor | 69 Fair |
| 2018 | A Quiet Place | Sound | ADR Supervisor | 73 Good |
| 2017 | Surf's Up 2: WaveMania | Sound | ADR Supervisor | 59 Average |
| 2015 | Home Sweet Hell | Sound | Supervising Sound Editor | 56 Average |
| 2014 | Blended | Sound | Dialogue Editor | 67 Fair |
| 2014 | Child of God | Sound | Supervising Dialogue Editor | 57 Average |
| 2013 | 12 Years a Slave | Sound | Supervising Sound Editor | 78 Good |
| 2012 | Lawless | Sound | Supervising Sound Editor | 68 Fair |
| 2012 | Killing Them Softly | Sound | Supervising Sound Editor | 59 Average |
| 2012 | God Bless America | Sound | Sound Designer | 66 Fair |
| 2011 | Rampart | Sound | Supervising Dialogue Editor | 57 Average |
| 2011 | Conan the Barbarian | Sound | ADR Editor | 54 Average |
| 2011 | Take Me Home Tonight | Sound | Supervising Sound Editor | 59 Average |
| 2011 | The Resident | Sound | ADR Supervisor | 58 Average |
| 2010 | Welcome to the Rileys | Sound | ADR Supervisor | 62 Fair |
| 2010 | I'm Still Here | Sound | ADR Supervisor | 59 Average |
| 2010 | The Expendables | Sound | ADR & Dubbing | 62 Fair |
| 2010 | Leap Year | Sound | Supervising Sound Editor | 66 Fair |
| 2009 | A Single Man | Sound | Supervising Sound Editor | 69 Fair |
| 2009 | The Road | Sound | Supervising Sound Editor | 68 Fair |
| 2007 | I'm Not There | Sound | Supervising Sound Editor | 62 Fair |
| 2006 | Little Children | Sound | Dialogue Editor | 67 Fair |
| 2004 | 50 First Dates | Sound | Dialogue Editor | 68 Fair |
| 2003 | Testosterone | Sound | Supervising Sound Editor | 58 Average |
| 2003 | Grind | Sound | Supervising Sound Editor | 59 Average |
| 2003 | Out for a Kill | Sound | Sound Effects Editor | 54 Average |
| 2003 | Legally Blonde 2: Red, White & Blonde | Sound | Dialogue Editor | 57 Average |
| 2003 | Anger Management | Sound | Dialogue Editor | 61 Fair |
| 2002 | The Hot Chick | Sound | Dialogue Editor | 62 Fair |
| 2002 | Highway | Sound | Supervising ADR Editor | 58 Average |
| 2002 | All About the Benjamins | Sound | Supervising Sound Editor | 58 Average |
| 2001 | Life As A House | Sound | Dialogue Editor | 64 Fair |
| 2001 | Sugar & Spice | Sound | ADR Supervisor | 60 Fair |
| 2000 | Brother | Sound | ADR Supervisor | 64 Fair |
| 2000 | Skipped Parts | Sound | ADR Supervisor | 58 Average |
| 2000 | Next Friday | Sound | ADR Supervisor | 62 Fair |
| 1999 | Detroit Rock City | Sound | Dialogue Editor | 62 Fair |
| 1999 | Jawbreaker | Sound | ADR Supervisor | 60 Fair |
| 1997 | Washington Square | Sound | Dialogue Editor | 59 Average |
| 1997 | Austin Powers: International Man of Mystery | Sound | Dialogue Editor | 65 Fair |
| 1997 | Original Sin | Sound | Dialogue Editor | 69 Fair |
| 1996 | American Buffalo | Sound | Production Sound Mixer | 58 Average |
| 1995 | Judgement | Sound | Sound Editor | 59 Average |
| 1995 | An Element of Truth | Sound | Dialogue Editor | 59 Average |
| 1994 | Miracle on 34th Street | Sound | Boom Operator | 65 Fair |
| 1993 | Schindler's List | Sound | Sound | 84 Very good |
| 1988 | The Moderns | Sound | Production Sound Mixer | 58 Average |
| 1987 | Made in Heaven | Sound | Sound | 59 Average |
| 1981 | Frightmare | Sound | Sound Effects Editor | 57 Average |