About
Paul N.J. Ottosson
Overview
No biography available
Known for
Sound |
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| 2024 | Madame Web | Sound | Sound Designer | 55 Average |
| 2023 | BLUE EYE SAMURAI | Sound | Sound Designer | 83 Very good |
| 2023 | BLUE EYE SAMURAI | Sound | Sound Re-Recording Mixer | 83 Very good |
| 2022 | Entergalactic | Sound | Sound Designer | 66 Fair |
| 2022 | Uncharted | Sound | Sound Designer | 68 Fair |
| 2021 | The Boss Baby: Family Business | Sound | Sound Designer | 71 Good |
| 2021 | The Boss Baby: Family Business | Sound | Supervising Sound Editor | 71 Good |
| 2020 | Bloodshot | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2020 | Bloodshot | Sound | Supervising Sound Editor | 66 Fair |
| 2020 | Bloodshot | Sound | Sound Designer | 66 Fair |
| 2019 | Men in Black: International | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Men in Black: International | Sound | Sound Designer | 59 Average |
| 2019 | Men in Black: International | Sound | Supervising Sound Editor | 59 Average |
| 2017 | Detroit | Sound | Sound Designer | 69 Fair |
| 2017 | Detroit | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2017 | The Boss Baby | Sound | Supervising Sound Editor | 64 Fair |
| 2017 | The Boss Baby | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2016 | Independence Day: Resurgence | Sound | Sound Designer | 53 Average |
| 2016 | Independence Day: Resurgence | Sound | Supervising Sound Editor | 53 Average |
| 2014 | Penguins of Madagascar | Sound | Supervising Sound Editor | 64 Fair |
| 2014 | Penguins of Madagascar | Sound | Sound Designer | 64 Fair |
| 2014 | Penguins of Madagascar | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2014 | Fury | Sound | Sound Designer | 74 Good |
| 2013 | White House Down | Sound | Sound Designer | 64 Fair |
| 2013 | White House Down | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2012 | Zero Dark Thirty | Sound | Sound Supervisor | 68 Fair |
| 2012 | Men in Black 3 | Sound | Sound Designer | 64 Fair |
| 2012 | Men in Black 3 | Sound | Supervising Sound Editor | 64 Fair |
| 2012 | Men in Black 3 | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2011 | Battle: Los Angeles | Sound | Supervising Sound Editor | 57 Average |
| 2011 | Battle: Los Angeles | Sound | Sound Designer | 57 Average |
| 2009 | 2012 | Sound | Sound Designer | 58 Average |
| 2009 | 2012 | Sound | Supervising Sound Editor | 58 Average |
| 2009 | Drag Me to Hell | Sound | Sound Designer | 63 Fair |
| 2009 | Drag Me to Hell | Sound | Supervising Sound Editor | 63 Fair |
| 2009 | Horsemen | Sound | Supervising Sound Editor | 59 Average |
| 2008 | The Hurt Locker | Sound | Sound Re-Recording Mixer | 71 Good |
| 2008 | The Hurt Locker | Sound | Sound Designer | 71 Good |
| 2007 | Spider-Man 3 | Sound | Sound Effects Editor | 63 Fair |
| 2007 | Rise: Blood Hunter | Sound | Supervising Sound Editor | 57 Average |
| 2007 | Rise: Blood Hunter | Sound | Sound Re-Recording Mixer | 57 Average |
| 2006 | RV | Sound | Supervising Sound Editor | 58 Average |
| 2005 | Firecracker | Sound | Sound Re-Recording Mixer | 59 Average |
| 2005 | The Exorcism of Emily Rose | Sound | Supervising Sound Editor | 64 Fair |
| 2004 | The Grudge | Sound | Supervising Sound Editor | 58 Average |
| 2004 | Spider-Man 2 | Sound | Supervising Sound Editor | 72 Good |
| 2004 | Spider-Man 2 | Sound | Sound Designer | 72 Good |
| 2003 | S.W.A.T. | Sound | Sound Designer | 61 Fair |
| 2002 | The Scorpion King | Sound | Sound Designer | 56 Average |
| 2001 | Jimmy Neutron: Boy Genius | Sound | Sound Designer | 59 Average |
| 2001 | Josie and the Pussycats | Sound | Sound Effects Editor | 57 Average |
| 2001 | Josie and the Pussycats | Sound | Sound Designer | 57 Average |
| 2000 | 100 Girls | Sound | Sound Effects Editor | 58 Average |
| 2000 | The Natural History of the Chicken | Sound | Supervising Sound Editor | 59 Average |
| 2000 | Stranger Than Fiction | Sound | Sound Supervisor | 58 Average |
| 1999 | BitterSweet | Sound | Sound Designer | 58 Average |
| 1999 | The Base | Sound | Sound Effects Editor | 58 Average |
| 1999 | My Favorite Martian | Sound | Foley Editor | 57 Average |
| 1998 | Ground Control | Sound | Sound Designer | 58 Average |
| 1998 | Glam | Sound | Sound Effects Editor | 58 Average |
| 1997 | Jack Frost | Sound | Sound Effects Editor | 56 Average |
| 1997 | Murder in Mind | Sound | Sound Effects Editor | 58 Average |
| 1997 | Poison Ivy: The New Seduction | Sound | Sound Effects Editor | 57 Average |
| 1997 | Eight Days a Week | Sound | Sound Effects Editor | 58 Average |
| 1997 | Retroactive | Sound | Sound Effects Editor | 59 Average |
| 1996 | Nemesis 4: Death Angel | Sound | Sound Effects Editor | 57 Average |
| 1996 | The Cold Equations | Sound | Sound Effects Editor | 58 Average |
| 1996 | Head of the Family | Sound | Sound Effects Editor | 58 Average |
| 1996 | Santa with Muscles | Sound | Sound Effects Editor | 55 Average |
| 1996 | Omega Doom | Sound | Sound Designer | 57 Average |
| 1996 | Amityville: Dollhouse | Sound | Sound Effects Editor | 56 Average |
| 1996 | Sworn to Justice | Sound | Sound Effects Editor | 58 Average |
| 1996 | Exit | Sound | Sound Effects Editor | 59 Average |
| 1996 | Nemesis 3: Time Lapse | Sound | Sound Effects Editor | 57 Average |
| 1996 | Oblivion 2: Backlash | Sound | Sound Effects Editor | 58 Average |
| 1996 | Virtual Encounters | Sound | Sound Effects Editor | 58 Average |