About
Norbert Kaluza
Overview
No biography available
Known for
Camera |
||||
| 2022 | Brazen | Camera | "A" Camera Operator | 54 Average |
| 2020 | The Haunting of Bly Manor | Camera | "A" Camera Operator | 75 Good |
| 2019 | Light of My Life | Camera | "B" Camera Operator | 61 Fair |
| 2018 | The Predator | Camera | Steadicam Operator | 56 Average |
| 2018 | Skyscraper | Camera | Steadicam Operator | 62 Fair |
| 2017 | Geostorm | Camera | Steadicam Operator | 60 Fair |
| 2017 | Death Note | Camera | Steadicam Operator | 44 Bad |
| 2017 | War for the Planet of the Apes | Camera | Steadicam Operator | 71 Good |
| 2016 | Deadpool | Camera | Steadicam Operator | 75 Good |
| 2014 | Flowers in the Attic | Camera | "A" Camera Operator | 62 Fair |
| 2013 | Elysium | Camera | Camera Operator | 64 Fair |
| 2012 | The Possession | Camera | Steadicam Operator | 59 Average |
| 2012 | The Tall Man | Camera | Steadicam Operator | 59 Average |
| 2010 | Wrecked | Camera | Camera Operator | 56 Average |
| 2009 | 2012 | Camera | Camera Operator | 58 Average |
| 2009 | The Hole | Camera | "A" Camera Operator | 58 Average |
| 2009 | The Hole | Camera | Steadicam Operator | 58 Average |
| 2008 | The X Files: I Want to Believe | Camera | Camera Operator | 58 Average |
| 2007 | Resident Evil: Extinction | Camera | Steadicam Operator | 62 Fair |
| 2005 | Icon | Camera | Steadicam Operator | 58 Average |
| 2002 | The Mangler 2 | Camera | Director of Photography | 57 Average |