About
Bradley Liew
Overview
Bradley Liew is a Malaysian born-Philippines based filmmaker who works as a Director, Producer and Cinematographer in both countries. In 2012, he was accepted into the Asian Film Academy of the Busan IFF where he won the Lumos Award for Outstanding Performance from celebrated Chinese filmmaker Jia Zhangke. He is also an alumnus of the NAFF Fanastic Film School, Berlinale Talents, Tokyo Talents, Locarno Filmmakers Academy, Eave Ties that Bind and the Sam Spiegel International Film Lab.
In 2016, he completed his first feature film, a Malaysia-Philippine coproduction entitled Singing In Graveyards, which was the recipient of the Visions Sud Est Production Support Fund, the Southeast Asian Film Lab Most Promising Project Award and the Talents Tokyo Next Masters Support Program International Promotion Fund under Producer Bianca Balbuena. Singing In Graveyards made its world premiere in-competition at the 2016 Venice International Film Critics' Week. It went on to festivals such as Thessaloniki, Mostra Sao Paulo, Busan, Hawaii, Minsk, Singapore and won best film in both Kolkata and Malaysia.
Known for
Acting |
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2018 | Season of the Devil | Actor | Militia 3 | 58 Average |
2016 | A Lullaby to the Sorrowful Mystery | Actor | Tubak | 59 Average |
2014 | We Need To Break Up | Actor | Bradley (Aunty's Boyfriend) | N/A N/A |
Directing |
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2020 | The Tapes | Directing | Director | N/A N/A |
2020 | Motel Acacia | Directing | Director | 58 Average |
2016 | Singing in Graveyards | Directing | Director | 59 Average |
2015 | Describe the Color Red to a Blind Man | Directing | Director | N/A N/A |
2015 | Describe The Color Red To A Blind Man | Directing | Director | N/A N/A |
2014 | Star | Directing | Director | 59 Average |
2014 | We Need To Break Up | Directing | Director | N/A N/A |
2013 | Mack | Directing | Director | 59 Average |
Speed, Glue, and Shinki | Directing | Director | N/A N/A |
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Writing |
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2020 | Motel Acacia | Writing | Writer | 58 Average |
2016 | Singing in Graveyards | Writing | Screenplay | 59 Average |
2013 | Mack | Writing | Writer | 59 Average |
Production |
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2024 | Cu Li Never Cries | Production | Co-Producer | N/A N/A |
2024 | I Am Not Big Bird | Production | Producer | 58 Average |
2023 | When the Waves Are Gone | Production | Producer | 58 Average |
2023 | Essential Truths of the Lake | Production | Producer | 58 Average |
2023 | In My Mother's Skin | Production | Producer | 58 Average |
2022 | Nocebo | Production | Co-Producer | 59 Average |
2020 | Midnight in a Perfect World | Production | Producer | 59 Average |
2019 | Ma | Production | Producer | 59 Average |
2018 | Season of the Devil | Production | Producer | 58 Average |
2018 | Doors: Team B Terror | Production | Producer | N/A N/A |
2015 | Describe the Color Red to a Blind Man | Production | Producer | N/A N/A |
2014 | We Need To Break Up | Production | Producer | N/A N/A |
2013 | Mack | Production | Producer | 59 Average |
Sound |
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2014 | Conscience | Sound | Sound Designer | N/A N/A |
Camera |
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2014 | We Need To Break Up | Camera | Camera Operator | N/A N/A |
Crew |
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2018 | Doors: Team B Terror | Crew | Creator | N/A N/A |
2014 | Soap Opera | Crew | Cinematography | N/A N/A |
2014 | Conscience | Crew | Cinematography | N/A N/A |
Editing |
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2019 | Ma | Editing | Editor | 59 Average |
2016 | Singing in Graveyards | Editing | Editor | 59 Average |
2015 | Describe the Color Red to a Blind Man | Editing | Editor | N/A N/A |
2014 | Conscience | Editing | Editor | N/A N/A |
2014 | We Need To Break Up | Editing | Editor | N/A N/A |