About
Roy Charman
Overview
No biography available
Known for
Sound |
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1989 | A Dry White Season | Sound | Sound Mixer | 60 Fair |
1989 | Shirley Valentine | Sound | Sound Editor | 59 Average |
1986 | Aliens | Sound | Sound Recordist | 78 Good |
1985 | Legend | Sound | Production Sound Mixer | 61 Fair |
1984 | Electric Dreams | Sound | Sound Mixer | 59 Average |
1983 | Curse of the Pink Panther | Sound | Sound | 55 Average |
1982 | Monsignor | Sound | Sound Mixer | 58 Average |
1981 | Raiders of the Lost Ark | Sound | Production Sound Mixer | 78 Good |
1981 | The Final Conflict | Sound | Sound Mixer | 58 Average |
1980 | Superman II | Sound | Sound Mixer | 65 Fair |
1978 | Superman | Sound | Sound Mixer | 69 Fair |
1978 | Revenge of the Pink Panther | Sound | Sound Mixer | 61 Fair |
1977 | Silver Bears | Sound | Sound Mixer | 59 Average |
1976 | The Ritz | Sound | Sound Recordist | 59 Average |
1975 | The Human Factor | Sound | Sound Recordist | 58 Average |
1975 | Heading For Glory | Sound | Sound | 59 Average |
1974 | The Four Musketeers | Sound | Sound Mixer | 60 Fair |
1974 | The Marseille Contract | Sound | Sound Mixer | 59 Average |
1974 | Dracula | Sound | Sound Mixer | 59 Average |
1973 | The Three Musketeers | Sound | Sound Mixer | 62 Fair |
1970 | Cannon for Cordoba | Sound | Sound | 58 Average |
1969 | Guns of the Magnificent Seven | Sound | Sound | 57 Average |
1966 | Grand Prix | Sound | Sound Recordist | 62 Fair |
1957 | The Prince and the Showgirl | Sound | Boom Operator | 60 Fair |