About
Arthur Piantadosi
Overview
From Wikipedia, the free encyclopedia
Arthur Piantadosi (August 4, 1916 – February 23, 1994) was an American sound engineer. He won an Academy Award for Best Sound and was nominated for six more in the same category. He won a BAFTA Award in 1973 for Best Sound Track for the 1972 film Cabaret.
He worked as a music mixer for Warner Brothers, 20th Century-Fox, Columbia Pictures, Republic Pictures, and Universal Studios. During World War II, he worked for the Office of Strategic Services in John Ford's department.
Known for
Sound |
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1983 | Mortuary | Sound | Sound Re-Recording Mixer | 58 Average |
1982 | Tootsie | Sound | Sound Re-Recording Mixer | 69 Fair |
1982 | Tempest | Sound | Sound Re-Recording Mixer | 58 Average |
1982 | Firefox | Sound | Sound Re-Recording Mixer | 59 Average |
1981 | Absence of Malice | Sound | Sound Re-Recording Mixer | 61 Fair |
1981 | History of the World: Part I | Sound | Sound Re-Recording Mixer | 64 Fair |
1981 | Modern Romance | Sound | Sound Re-Recording Mixer | 60 Fair |
1980 | Altered States | Sound | Sound Re-Recording Mixer | 63 Fair |
1980 | The Stunt Man | Sound | Sound Re-Recording Mixer | 60 Fair |
1979 | The Electric Horseman | Sound | Sound Re-Recording Mixer | 59 Average |
1979 | Time After Time | Sound | Sound Re-Recording Mixer | 62 Fair |
1979 | Nightwing | Sound | Sound Mixer | 58 Average |
1979 | The In-Laws | Sound | Sound Mixer | 60 Fair |
1979 | Boulevard Nights | Sound | Sound Re-Recording Mixer | 60 Fair |
1979 | The China Syndrome | Sound | Sound Re-Recording Mixer | 65 Fair |
1977 | Exorcist II: The Heretic | Sound | Sound Re-Recording Mixer | 50 Average |
1976 | Nickelodeon | Sound | Sound Re-Recording Mixer | 59 Average |
1976 | From Noon Till Three | Sound | Sound Re-Recording Mixer | 58 Average |
1976 | The Gumball Rally | Sound | Sound Re-Recording Mixer | 59 Average |
1976 | The Shootist | Sound | Sound Re-Recording Mixer | 63 Fair |
1975 | Hugo the Hippo | Sound | Sound | 59 Average |
1975 | Bite the Bullet | Sound | Sound Re-Recording Mixer | 59 Average |
1975 | Hard Times | Sound | Sound Re-Recording Mixer | 61 Fair |
1975 | Report to the Commissioner | Sound | Sound Recordist | 59 Average |
1974 | Freebie and the Bean | Sound | Sound Re-Recording Mixer | 59 Average |
1974 | The Yakuza | Sound | Sound Re-Recording Mixer | 62 Fair |
1974 | Blazing Saddles | Sound | Sound Re-Recording Mixer | 69 Fair |
1973 | 40 Carats | Sound | Sound Recordist | 59 Average |
1973 | Scarecrow | Sound | Sound Re-Recording Mixer | 62 Fair |
1973 | Lost Horizon | Sound | Sound | 58 Average |
1973 | The Thief Who Came to Dinner | Sound | Sound | 59 Average |
1973 | A Reflection of Fear | Sound | Sound | 59 Average |
1973 | Shamus | Sound | Sound Recordist | 59 Average |
1972 | 1776 | Sound | Sound | 60 Fair |
1972 | Butterflies Are Free | Sound | Sound Re-Recording Mixer | 60 Fair |
1972 | Cisco Pike | Sound | Sound | 58 Average |
1971 | Fools' Parade | Sound | Sound | 59 Average |
1971 | The Pursuit of Happiness | Sound | Sound | 59 Average |
1971 | Doctors' Wives | Sound | Sound | 58 Average |
1970 | I Walk the Line | Sound | Sound | 58 Average |
1970 | The Owl and the Pussycat | Sound | Sound | 59 Average |
1970 | Getting Straight | Sound | Sound | 59 Average |
1970 | The Liberation of L.B. Jones | Sound | Sound | 58 Average |
1969 | Marooned | Sound | Sound | 58 Average |
1969 | Bob & Carol & Ted & Alice | Sound | Sound | 59 Average |
1969 | Hook, Line and Sinker | Sound | Sound | 58 Average |
1969 | The Mad Room | Sound | Sound | 58 Average |
1969 | Pendulum | Sound | Sound | 59 Average |
1969 | Model Shop | Sound | Sound | 59 Average |
1968 | The Wrecking Crew | Sound | Sound | 58 Average |
1967 | In Cold Blood | Sound | Sound | 65 Fair |