About
Robert J. Litt
Overview
No biography available
Known for
Acting |
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| 1995 | More Loverly Than Ever: The Making of 'My Fair Lady' | Actor | Self (as Bob Litt) | N/A N/A |
| 1993 | Desert Passion | Actor | Cop | 58 Average |
Sound |
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| 2000 | The Cell | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2000 | Keeping the Faith | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1999 | Magnolia | Sound | Sound Re-Recording Mixer | 74 Good |
| 1999 | The Green Mile | Sound | Sound Re-Recording Mixer | 84 Very good |
| 1999 | Three Kings | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1999 | My Favorite Martian | Sound | Sound Re-Recording Mixer | 57 Average |
| 1998 | Star Trek: Insurrection | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1998 | Apt Pupil | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1998 | City of Angels | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1998 | Fallen | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1997 | That Old Feeling | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | Rosewood | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1996 | The Associate | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Tin Cup | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Phenomenon | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1996 | The Phantom | Sound | Sound Re-Recording Mixer | 55 Average |
| 1996 | A Thin Line Between Love and Hate | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Grumpier Old Men | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1995 | Se7en | Sound | Sound Re-Recording Mixer | 83 Very good |
| 1995 | The Usual Suspects | Sound | Sound Re-Recording Mixer | 80 Very good |
| 1994 | Blue Sky | Sound | Sound Re-Recording Mixer | 59 Average |
| 1993 | Grumpy Old Men | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1993 | Addams Family Values | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1993 | Fatal Instinct | Sound | Sound Re-Recording Mixer | 57 Average |
| 1993 | Desert Passion | Sound | Boom Operator | 58 Average |
| 1993 | Malice | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1992 | The Bodyguard | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1992 | Captain Ron | Sound | Sound Re-Recording Mixer | 57 Average |
| 1992 | My Cousin Vinny | Sound | Sound Re-Recording Mixer | 71 Good |
| 1992 | Once Upon a Crime | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | Memoirs of an Invisible Man | Sound | Sound Re-Recording Mixer | 58 Average |
| 1990 | Rocky V | Sound | Sound Re-Recording Mixer | 57 Average |
| 1990 | The Two Jakes | Sound | Sound Re-Recording Mixer | 59 Average |
| 1990 | Gremlins 2: The New Batch | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1989 | Steel Magnolias | Sound | Sound Re-Recording Mixer | 66 Fair |
| 1988 | Mississippi Burning | Sound | Sound Re-Recording Mixer | 72 Good |
| 1988 | Tequila Sunrise | Sound | Sound Re-Recording Mixer | 59 Average |
| 1988 | They Live | Sound | Sound Re-Recording Mixer | 71 Good |
| 1988 | Rambo III | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1988 | Little Nikita | Sound | Sound Re-Recording Mixer | 58 Average |
| 1987 | Baby Boom | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1987 | Innerspace | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1987 | The Secret of My Success | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1987 | Angel Heart | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1987 | Outrageous Fortune | Sound | Sound Re-Recording Mixer | 59 Average |
| 1986 | The Golden Child | Sound | Sound Re-Recording Mixer | 58 Average |
| 1986 | Children of a Lesser God | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1986 | One Crazy Summer | Sound | Sound Re-Recording Mixer | 59 Average |
| 1986 | Flight of the Navigator | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1986 | Ferris Bueller's Day Off | Sound | Sound Re-Recording Mixer | 74 Good |
| 1986 | 8 Million Ways to Die | Sound | Sound Re-Recording Mixer | 58 Average |
| 1986 | My Chauffeur | Sound | Sound Re-Recording Mixer | 59 Average |
| 1985 | Lost in America | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1985 | Fandango | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1984 | Sixteen Candles | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1984 | Flashpoint | Sound | Sound Re-Recording Mixer | 59 Average |
| 1984 | Weekend Pass | Sound | Sound Re-Recording Mixer | 58 Average |
| 1983 | Gorky Park | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1983 | My Tutor | Sound | Sound Re-Recording Mixer | 57 Average |
| 1982 | Frances | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1982 | MegaForce | Sound | Sound Re-Recording Mixer | 56 Average |
| 1982 | The Beach Girls | Sound | Sound Re-Recording Mixer | 58 Average |
| 1982 | The Man from Snowy River | Sound | Sound Mixer | 61 Fair |
| 1980 | Cabo Blanco | Sound | Sound Recordist | 58 Average |
| 1979 | Phantasm | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1978 | Convoy | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1977 | Star Wars | Sound | Sound Re-Recording Mixer | 81 Very good |
| 1974 | Betrayal | Sound | Recording Supervision | 58 Average |
| 1972 | She Waits | Sound | Recording Supervision | 58 Average |
| 1971 | Thief | Sound | Sound Supervisor | 58 Average |
| 1971 | Maybe I'll Come Home in the Spring | Sound | Recording Supervision | 58 Average |
| 1970 | Zoos of the World | Sound | Recording Supervision | N/A N/A |
| 1966 | The Thin Blue Line | Sound | Sound Engineer | N/A N/A |