About
Bitty O'Sullivan-Smith
Overview
Bitty O'Sullivan-Smith worked as a sound and dialogue editor for film and television productions.
Known for
Sound |
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1999 | The Cider House Rules | Sound | Dialogue Editor | 66 Fair |
1996 | Ransom | Sound | Dialogue Editor | 65 Fair |
1995 | Bleeding Hearts | Sound | Sound Editor | 59 Average |
1995 | Apollo 13 | Sound | Dialogue Editor | 73 Good |
1994 | Mixed Nuts | Sound | Sound Editor | 57 Average |
1994 | Don't Drink the Water | Sound | Sound Editor | 58 Average |
1994 | It Could Happen to You | Sound | Dialogue Editor | 63 Fair |
1993 | The Good Son | Sound | Sound Editor | 64 Fair |
1993 | Sleepless in Seattle | Sound | Sound Editor | 65 Fair |
1992 | Juice | Sound | ADR Editor | 64 Fair |
1991 | There's Nothing Out There | Sound | Foley Editor | 58 Average |
1990 | Reversal of Fortune | Sound | Sound Editor | 61 Fair |
1990 | Miami Blues | Sound | Sound Editor | 59 Average |
1989 | She-Devil | Sound | Sound Editor | 58 Average |
1989 | An Innocent Man | Sound | Sound Editor | 59 Average |
1988 | The Accused | Sound | Sound Editor | 64 Fair |
1988 | Running on Empty | Sound | Sound Editor | 64 Fair |
1987 | Dead of Winter | Sound | Sound Editor | 59 Average |
1986 | Peggy Sue Got Married | Sound | Sound Editor | 60 Fair |
1985 | Three Sovereigns for Sarah | Sound | Sound Editor | N/A N/A |
Camera |
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1978 | Everybody Needs a Forever Home | Camera | Still Photographer | N/A N/A |