About
Peter Nashel
Overview
No biography available
Known for
Sound |
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| 2023 | Boom! Boom! The World vs. Boris Becker | Sound | Original Music Composer | 68 Fair |
| 2022 | Mike | Sound | Original Music Composer | 74 Good |
| 2022 | Last Looks | Sound | Original Music Composer | 58 Average |
| 2021 | Ready to Wear | Sound | Sound Designer | 59 Average |
| 2021 | The Crime of the Century | Sound | Original Music Composer | 72 Good |
| 2021 | Totally Under Control | Sound | Music | 59 Average |
| 2017 | I, Tonya | Sound | Original Music Composer | 73 Good |
| 2015 | Marco Polo: One Hundred Eyes | Sound | Music | 61 Fair |
| 2014 | Dukhtar | Sound | Original Music Composer | 59 Average |
| 2013 | The Trials of Cate McCall | Sound | Original Music Composer | 60 Fair |
| 2013 | Deep Powder | Sound | Original Music Composer | 58 Average |
| 2010 | Client 9: The Rise and Fall of Eliot Spitzer | Sound | Original Music Composer | 59 Average |
| 2009 | Uncertainty | Sound | Music | 58 Average |
| 2009 | Carriers | Sound | Original Music Composer | 60 Fair |
| 2008 | New York, I Love You | Sound | Original Music Composer | 58 Average |
| 2006 | The Night Listener | Sound | Original Music Composer | 57 Average |
| 2005 | Bee Season | Sound | Original Music Composer | 57 Average |
| 2004 | Deadline | Sound | Music | 59 Average |
| 2001 | The Deep End | Sound | Original Music Composer | 59 Average |