About
Kerry Dean Williams
Overview
No biography available
Known for
Sound |
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| 2017 | Downsizing | Sound | Dialogue Editor | 54 Average |
| 2017 | John Wick: Chapter 2 | Sound | ADR Editor | 72 Good |
| 2016 | X-Men: Apocalypse | Sound | Supervising ADR Editor | 64 Fair |
| 2015 | The Last Witch Hunter | Sound | ADR Editor | 59 Average |
| 2015 | The Last Witch Hunter | Sound | Supervising Dialogue Editor | 59 Average |
| 2015 | San Andreas | Sound | ADR Editor | 61 Fair |
| 2014 | This Is Where I Leave You | Sound | Supervising ADR Editor | 64 Fair |
| 2014 | X-Men: Days of Future Past | Sound | Supervising ADR Editor | 74 Good |
| 2013 | The Internship | Sound | Supervising ADR Editor | 62 Fair |
| 2011 | Real Steel | Sound | Supervising ADR Editor | 69 Fair |
| 2010 | Open Season 3 | Sound | Dialogue Editor | 57 Average |
| 2009 | Star Trek | Sound | ADR Supervisor | 73 Good |
| 2008 | Defiance | Sound | ADR Supervisor | 65 Fair |
| 2008 | Valkyrie | Sound | ADR Supervisor | 68 Fair |
| 2008 | Semi-Pro | Sound | ADR Supervisor | 57 Average |
| 2007 | Gone Baby Gone | Sound | ADR Supervisor | 71 Good |
| 2007 | Freedom Writers | Sound | ADR Supervisor | 75 Good |
| 2006 | Blood Diamond | Sound | ADR Editor | 74 Good |
| 2006 | Blood Diamond | Sound | Supervising Dialogue Editor | 74 Good |
| 2006 | Mission: Impossible III | Sound | ADR Supervisor | 66 Fair |
| 2005 | Elizabethtown | Sound | Supervising Dialogue Editor | 60 Fair |
| 2005 | Elizabethtown | Sound | Supervising ADR Editor | 60 Fair |
| 2004 | Exorcist: The Beginning | Sound | ADR Supervisor | 55 Average |
| 2004 | The Chronicles of Riddick | Sound | ADR Editor | 64 Fair |
| 2004 | The Chronicles of Riddick | Sound | Dialogue Editor | 64 Fair |
| 2004 | The Day After Tomorrow | Sound | ADR Editor | 64 Fair |
| 2003 | The Last Samurai | Sound | Supervising ADR Editor | 74 Good |
| 2001 | Joy Ride | Sound | ADR Editor | 63 Fair |
| 2001 | Lara Croft: Tomb Raider | Sound | Supervising Dialogue Editor | 58 Average |
| 2001 | Lara Croft: Tomb Raider | Sound | Supervising ADR Editor | 58 Average |
| 2000 | Mission: Impossible II | Sound | ADR Supervisor | 61 Fair |
| 2000 | Rules of Engagement | Sound | Supervising ADR Editor | 60 Fair |
| 1999 | Mystery, Alaska | Sound | Dialogue Editor | 60 Fair |
| 1999 | The General's Daughter | Sound | ADR Editor | 62 Fair |
| 1998 | Star Trek: Insurrection | Sound | ADR Editor | 62 Fair |
| 1998 | The Negotiator | Sound | ADR Editor | 68 Fair |
| 1997 | Kiss the Girls | Sound | Dialogue Editor | 63 Fair |
| 1996 | Star Trek: First Contact | Sound | ADR Editor | 69 Fair |
| 1996 | City Hall | Sound | Supervising Sound Editor | 58 Average |
| 1994 | The River Wild | Sound | Sound Editor | 62 Fair |
| 1994 | Beverly Hills Cop III | Sound | Sound Effects Editor | 58 Average |
| 1993 | Schindler's List | Sound | Sound Editor | 85 Very good |
| 1990 | Twin Peaks | Sound | Dialogue Editor | 82 Very good |
| 1988 | The Prince of Pennsylvania | Sound | Sound Editor | 58 Average |
| 1983 | Lucky Luke: Daltons on the Loose | Sound | Sound Editor | 59 Average |