About
David Parker
Overview
No biography available
Known for
Production |
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| 2012 | Kath & Kimderella | Production | Producer | 58 Average |
Sound |
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| 2022 | The Long Night | Sound | Sound Mixer | 57 Average |
| 2020 | Soul | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2020 | Mank | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2019 | Knives Out | Sound | Sound Re-Recording Mixer | 77 Good |
| 2018 | Solo: A Star Wars Story | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2017 | Star Wars: The Last Jedi | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2017 | Only the Brave | Sound | Sound Re-Recording Mixer | 70 Good |
| 2016 | Rogue One: A Star Wars Story | Sound | Sound Re-Recording Mixer | 74 Good |
| 2016 | Alice Through the Looking Glass | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2014 | Gone Girl | Sound | Sound Re-Recording Mixer | 78 Good |
| 2014 | Maleficent | Sound | Sound Re-Recording Mixer | 70 Good |
| 2013 | Her | Sound | Sound Re-Recording Mixer | 77 Good |
| 2013 | Now You See Me | Sound | Sound Re-Recording Mixer | 72 Good |
| 2012 | The Bourne Legacy | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2012 | Ice Age: Continental Drift | Sound | Additional Sound Re-Recording Mixer | 63 Fair |
| 2011 | The Girl with the Dragon Tattoo | Sound | Sound Re-Recording Mixer | 72 Good |
| 2011 | Captain America: The First Avenger | Sound | Sound Re-Recording Mixer | 69 Fair |
| 2010 | The Tourist | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2010 | The Social Network | Sound | Sound Re-Recording Mixer | 73 Good |
| 2010 | Love Ranch | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | The Back-Up Plan | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2009 | Nine | Sound | Sound Re-Recording Mixer | 56 Average |
| 2009 | G.I. Joe: The Rise of Cobra | Sound | Sound Re-Recording Mixer | 57 Average |
| 2009 | Funny People | Sound | Sound Re-Recording Mixer | 58 Average |
| 2009 | The Uninvited | Sound | Additional Sound Re-Recording Mixer | 63 Fair |
| 2008 | The Curious Case of Benjamin Button | Sound | Sound Re-Recording Mixer | 75 Good |
| 2008 | Revolutionary Road | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2008 | Semi-Pro | Sound | Sound Re-Recording Mixer | 57 Average |
| 2007 | The Bourne Ultimatum | Sound | Sound Re-Recording Mixer | 73 Good |
| 2007 | Knocked Up | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2007 | Zodiac | Sound | Sound Re-Recording Mixer | 74 Good |
| 2004 | Team America: World Police | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2004 | Van Helsing | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2004 | Hidalgo | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2003 | Pirates of the Caribbean: The Curse of the Black Pearl | Sound | Sound Re-Recording Mixer | 77 Good |
| 2003 | The United States of Leland | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2002 | Swimfan | Sound | Sound Re-Recording Mixer | 56 Average |
| 2002 | Panic Room | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2002 | The Mothman Prophecies | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2001 | Ghost World | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2001 | Bartleby | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | The Deep End | Sound | Sound Re-Recording Mixer | 59 Average |
| 2000 | Autumn in New York | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1999 | The Talented Mr. Ripley | Sound | Sound Re-Recording Mixer | 70 Good |
| 1999 | Fight Club | Sound | Sound Re-Recording Mixer | 83 Very good |
| 1999 | The Iron Giant | Sound | Sound Re-Recording Mixer | 77 Good |
| 1999 | Orfeu | Sound | Sound Mixer | 58 Average |
| 1998 | Pecker | Sound | Sound Re-Recording Mixer | 59 Average |
| 1997 | Boogie Nights | Sound | Sound Re-Recording Mixer | 73 Good |
| 1997 | The Game | Sound | Sound Re-Recording Mixer | 74 Good |
| 1996 | The English Patient | Sound | Sound Re-Recording Mixer | 69 Fair |
| 1995 | To Die For | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1995 | Nina Takes a Lover | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Ed Wood | Sound | Sound Re-Recording Mixer | 72 Good |
| 1994 | Swimming with Sharks | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1994 | Serial Mom | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1993 | Mr. Wonderful | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | Twin Peaks: Fire Walk with Me | Sound | Sound Re-Recording Mixer | 70 Good |
| 1992 | Desire and Hell at Sunset Motel | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | A Midnight Clear | Sound | Sound Re-Recording Mixer | 59 Average |
| 1990 | State of Grace | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1990 | Wild at Heart | Sound | Sound Re-Recording Mixer | 67 Fair |
| 1990 | MadHouse | Sound | Sound Re-Recording Mixer | 58 Average |
| 1990 | Mountains of the Moon | Sound | Sound Re-Recording Mixer | 59 Average |
| 1989 | Twin Peaks | Sound | Sound Re-Recording Mixer | 72 Good |
| 1989 | The Fly II | Sound | Sound Re-Recording Mixer | 57 Average |
| 1988 | Pin | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1988 | The Unbearable Lightness of Being | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1986 | Blue Velvet | Sound | Sound Re-Recording Mixer | 73 Good |
| 1986 | Never Too Young to Die | Sound | Sound Re-Recording Mixer | 57 Average |
| 1983 | Rumble Fish | Sound | Sound Mixer | 65 Fair |