About
Terry Rodman
Overview
No biography available
Known for
Sound |
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| 2023 | Retribution | Sound | Foley Supervisor | 64 Fair |
| 2019 | Blush | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | Little Women | Sound | Sound Editor | 59 Average |
| 2018 | Ibiza | Sound | Sound Re-Recording Mixer | 57 Average |
| 2018 | Every Day | Sound | Sound Effects Editor | 69 Fair |
| 2017 | The Lego Ninjago Movie | Sound | Sound Effects Editor | 63 Fair |
| 2014 | Juanicas | Sound | Sound Re-Recording Mixer | 59 Average |
| 2014 | Juanicas | Sound | Sound Editor | 59 Average |
| 2013 | House Party: Tonight's the Night | Sound | Supervising Sound Editor | 58 Average |
| 2013 | House Party: Tonight's the Night | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | The Dyatlov Pass Incident | Sound | Sound Effects Editor | 58 Average |
| 2012 | Bullet to the Head | Sound | Sound Re-Recording Mixer | 56 Average |
| 2010 | Just Wright | Sound | Supervising Sound Editor | 62 Fair |
| 2009 | Couples Retreat | Sound | Supervising Sound Editor | 56 Average |
| 2009 | Stay Cool | Sound | Sound Effects Editor | 57 Average |
| 2009 | Observe and Report | Sound | Supervising Sound Editor | 56 Average |
| 2009 | Observe and Report | Sound | Sound Re-Recording Mixer | 56 Average |
| 2008 | Get Smart | Sound | Supervising Sound Editor | 61 Fair |
| 2006 | Little Miss Sunshine | Sound | Sound Re-Recording Mixer | 75 Good |
| 2005 | Madison | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | Taxi | Sound | Sound Re-Recording Mixer | 56 Average |
| 2004 | Paparazzi | Sound | Sound Re-Recording Mixer | 57 Average |
| 2004 | Catch That Kid | Sound | Sound Re-Recording Mixer | 57 Average |
| 2003 | Bringing Down the House | Sound | Sound Re-Recording Mixer | 59 Average |
| 2002 | The New Guy | Sound | Sound Re-Recording Mixer | 58 Average |
| 2002 | Queen of the Damned | Sound | Supervising Sound Editor | 60 Fair |
| 2002 | Queen of the Damned | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2001 | Soul Survivors | Sound | Sound Re-Recording Mixer | 55 Average |
| 2001 | The Shrink Is In | Sound | Sound Re-Recording Mixer | 58 Average |
| 1999 | Three Kings | Sound | Sound Effects Editor | 65 Fair |
| 1999 | Chill Factor | Sound | Sound Re-Recording Mixer | 56 Average |
| 1999 | Chill Factor | Sound | Supervising Sound Editor | 56 Average |
| 1999 | 200 Cigarettes | Sound | Supervising Sound Editor | 58 Average |
| 1998 | Mercury Rising | Sound | Supervising Sound Editor | 61 Fair |
| 1997 | L.A. Confidential | Sound | Sound Designer | 76 Good |
| 1996 | My Fellow Americans | Sound | Supervising Sound Editor | 59 Average |
| 1996 | Eye for an Eye | Sound | Supervising Sound Editor | 59 Average |
| 1995 | How to Make an American Quilt | Sound | Supervising Sound Editor | 60 Fair |
| 1994 | The Road to Wellville | Sound | Supervising Sound Editor | 58 Average |
| 1992 | Past Midnight | Sound | Supervising Sound Editor | 58 Average |
| 1992 | Past Midnight | Sound | Sound Re-Recording Mixer | 58 Average |
| 1990 | Darkman | Sound | Supervising Sound Editor | 62 Fair |
| 1983 | Phar Lap | Sound | Sound Editor | 59 Average |
| 1982 | The Man from Snowy River | Sound | Sound Editor | 61 Fair |
| 1980 | The Last Outlaw | Sound | Sound Editor | 69 Fair |
| 1980 | Harlequin | Sound | ADR & Dubbing | 59 Average |
| 1979 | Snapshot | Sound | Sound Editor | 58 Average |