About
Justine Angus
Overview
Justine began her sound career as a music recording engineer and producer. From there, she got into live sound reinforcement for music and theatre.
After being offered a three-month contract at ABC-TV in Sydney, she found herself pursuing a new audio discipline. Ten years at the ABC gave Justine a varied and comprehensive grounding in sound-to-picture. Both production – sound recording and live TV studio – and post production sound – music editing, sound FX creation and editing, foley walking and recording, and dialogue editing.
Known for
Sound |
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| 2025 | Bring Her Back | Sound | Dialogue Editor | N/A N/A |
| 2025 | Bring Her Back | Sound | ADR Editor | N/A N/A |
| 2024 | Better Man | Sound | ADR Editor | 64 Fair |
| 2023 | Are You There God? It's Me, Margaret. | Sound | Dialogue Editor | 65 Fair |
| 2022 | The Stranger | Sound | ADR Editor | 60 Fair |
| 2021 | The Unusual Suspects | Sound | Dialogue Editor | 68 Fair |
| 2019 | Pimped | Sound | Dialogue Editor | 58 Average |
| 2018 | Finke: There & Back | Sound | Supervising Sound Editor | 59 Average |
| 2018 | Finke: There & Back | Sound | Dialogue Editor | 59 Average |
| 2015 | The Lovers | Sound | ADR & Dubbing | 57 Average |
| 2014 | The Rover | Sound | Supervising Dialogue Editor | 61 Fair |
| 2013 | Tracks | Sound | ADR Editor | 64 Fair |
| 2013 | The Railway Man | Sound | ADR Editor | 64 Fair |
| 2011 | Paper Giants: The Birth of Cleo | Sound | Dialogue Editor | N/A N/A |
| 2007 | St. Trinian's | Sound | Sound Editor | 58 Average |
| 2005 | Batman Begins | Sound | Sound Effects Editor | 76 Good |
| 2004 | Fat Slags | Sound | Dialogue Editor | 57 Average |