About
Robert Foster
Overview
No biography available
Known for
Art |
||||
| 1995 | Little Lord Fauntleroy | Art | Production Design | N/A N/A |
Camera |
||||
| 2019 | On Becoming a God in Central Florida | Camera | "B" Camera Operator | 67 Fair |
| 2018 | Green Book | Camera | "B" Camera Operator | 81 Very good |
| 2017 | Happy Death Day | Camera | Camera Operator | 65 Fair |
| 2017 | Kidnap | Camera | Camera Operator | 61 Fair |
| 2016 | Jack Reacher: Never Go Back | Camera | Camera Operator | 59 Average |
| 2016 | Skookum: The Hunt for Bigfoot | Camera | Director of Photography | N/A N/A |
| 2015 | Kidnapping Mr. Heineken | Camera | Camera Operator | 59 Average |
| 2013 | Snitch | Camera | Camera Operator | 60 Fair |
| 2013 | Texas Chainsaw 3D | Camera | Camera Operator | 55 Average |
| 2012 | The Courier | Camera | Camera Operator | 57 Average |
| 2010 | The Expendables | Camera | Camera Operator | 61 Fair |
| 2009 | Streets of Blood | Camera | Camera Operator | 57 Average |
| 2008 | W. | Camera | "B" Camera Operator | 60 Fair |
| 2008 | Mad Money | Camera | "B" Camera Operator | 62 Fair |
| 2003 | The Night We Called It a Day | Camera | Focus Puller | 58 Average |
| 1999 | In a Savage Land | Camera | Focus Puller | 58 Average |
| 1992 | Hurricane Smith | Camera | Focus Puller | 58 Average |
| 1992 | Dead Sleep | Camera | Focus Puller | 58 Average |