About
Tom Ryan
Overview
No biography available
Known for
Sound |
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| 2024 | Tendaberry | Sound | Supervising Sound Editor | N/A N/A |
| 2024 | Mean Girls | Sound | Sound Re-Recording Mixer | 59 Average |
| 2024 | Mean Girls | Sound | Sound Designer | 59 Average |
| 2023 | Susie Searches | Sound | Sound Re-Recording Mixer | 58 Average |
| 2022 | Bruiser | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | Bruiser | Sound | Supervising Sound Editor | 59 Average |
| 2022 | Jerry & Marge Go Large | Sound | Dialogue Editor | 64 Fair |
| 2022 | Hello, Goodbye, and Everything in Between | Sound | Supervising Sound Editor | 59 Average |
| 2022 | Hello, Goodbye, and Everything in Between | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | SCRUM | Sound | Supervising Sound Editor | N/A N/A |
| 2021 | I Carry You with Me | Sound | Sound Mixer | 60 Fair |
| 2021 | In the Heights | Sound | Dialogue Editor | 66 Fair |
| 2020 | Black Bear | Sound | Supervising Dialogue Editor | 61 Fair |
| 2020 | Black Bear | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2020 | I'm Thinking of Ending Things | Sound | Supervising Sound Editor | 64 Fair |
| 2020 | Yes, God, Yes | Sound | Supervising Sound Editor | 60 Fair |
| 2020 | Yes, God, Yes | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2020 | To All the Boys: P.S. I Still Love You | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2019 | Skin | Sound | ADR Editor | 63 Fair |
| 2019 | Skin | Sound | Dialogue Editor | 63 Fair |
| 2019 | Toni Morrison: The Pieces I Am | Sound | Dialogue Editor | 59 Average |
| 2019 | Brooklyn Love Stories | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Someone Great | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2018 | Cruise | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | Hereditary | Sound | ADR Editor | 72 Good |
| 2018 | Hereditary | Sound | Sound Re-Recording Mixer | 72 Good |
| 2017 | The Greatest Showman | Sound | Sound Effects Editor | 77 Good |
| 2017 | Mike Birbiglia: Thank God for Jokes | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | The Ticket | Sound | Supervising Sound Editor | 58 Average |
| 2016 | Indignation | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | The Purge: Election Year | Sound | ADR Supervisor | 63 Fair |
| 2015 | American Ultra | Sound | Sound Effects Editor | 60 Fair |
| 2015 | The End of the Tour | Sound | ADR Mixer | 64 Fair |
| 2015 | Spy | Sound | ADR Mixer | 67 Fair |
| 2014 | The Longest Week | Sound | Foley Recordist | 56 Average |
| 2014 | The Longest Week | Sound | Foley Editor | 56 Average |
| 2014 | The Longest Week | Sound | Sound Re-Recording Mixer | 56 Average |
| 2014 | Let's Be Cops | Sound | Foley Recordist | 64 Fair |
| 2014 | Let's Be Cops | Sound | Foley Editor | 64 Fair |
| 2014 | The Calling | Sound | ADR Mixer | 58 Average |
| 2014 | Cold in July | Sound | Foley Mixer | 63 Fair |
| 2014 | Cold in July | Sound | ADR Mixer | 63 Fair |
| 2014 | Rob the Mob | Sound | Sound Re-Recording Mixer | 59 Average |
| 2014 | Aloft | Sound | ADR Mixer | 58 Average |
| 2013 | At Middleton | Sound | ADR Mixer | 59 Average |
| 2013 | Life of Crime | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Begin Again | Sound | Foley Editor | 70 Good |
| 2013 | Begin Again | Sound | ADR Recordist | 70 Good |
| 2013 | Begin Again | Sound | Foley Recordist | 70 Good |
| 2013 | The Butler | Sound | ADR Mixer | 71 Good |
| 2013 | The To Do List | Sound | Sound Re-Recording Mixer | 58 Average |
| 2013 | Dark Skies | Sound | ADR Mixer | 62 Fair |
| 2013 | Broken City | Sound | ADR Mixer | 58 Average |
| 2012 | Side by Side | Sound | Sound Editor | 63 Fair |
| 2012 | An Open Heart | Sound | ADR Mixer | 58 Average |
| 2012 | A World for Raúl | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | Moonrise Kingdom | Sound | ADR Recordist | 75 Good |
| 2011 | Throat Song | Sound | Sound Re-Recording Mixer | 59 Average |
| 2011 | Choose | Sound | ADR Recordist | 56 Average |