
About
Peter Kelly
Overview
No biography available
Known for
Sound |
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2004 | Riding the Bullet | Sound | Sound Re-Recording Mixer | 56 Average |
2004 | Cube Zero | Sound | Sound Re-Recording Mixer | 57 Average |
2002 | American Psycho II: All American Girl | Sound | Sound Mixer | 52 Average |
2002 | Cube 2: Hypercube | Sound | Sound Re-Recording Mixer | 55 Average |
2000 | Requiem for a Dream | Sound | Foley Mixer | 79 Good |
2000 | American Psycho | Sound | Sound Re-Recording Mixer | 73 Good |
1999 | Sunshine | Sound | Sound Re-Recording Mixer | 60 Fair |
1999 | Woman Wanted | Sound | Foley Recordist | 58 Average |
1999 | From Dusk Till Dawn 2: Texas Blood Money | Sound | Sound Re-Recording Mixer | 52 Average |
1999 | From Dusk Till Dawn 2: Texas Blood Money | Sound | Foley Recordist | 52 Average |
1999 | The Man Who Might Have Been: An Inquiry Into the Life and Death of Herbert Norman | Sound | Sound Re-Recording Mixer | N/A N/A |
1998 | Children of the Corn V: Fields of Terror | Sound | Sound Re-Recording Mixer | 54 Average |
1997 | Cube | Sound | Sound Re-Recording Mixer | 67 Fair |
1997 | The Sweet Hereafter | Sound | Sound Re-Recording Mixer | 63 Fair |
1994 | Twin Sitters | Sound | Sound Re-Recording Mixer | 59 Average |
1994 | Exotica | Sound | Sound Re-Recording Mixer | 61 Fair |
1989 | Speed Zone | Sound | Sound Re-Recording Mixer | 56 Average |
1988 | The Brain | Sound | Sound Mixer | 57 Average |
1986 | The Boy in Blue | Sound | Boom Operator | 58 Average |