About
Željko Senečić
Overview
Željko Senečić was a Croatian film and television production designer, film director and screenwriter.
Senečić studied painting at the Zagreb Academy of Fine Arts and scenography at the Zagreb Academy of Drama Arts. His career in filmmaking and production design began in the early 1960s. His most memorable films include the Palme d'Or and Academy Award-winning The Tin Drum (Die Blechtrommel, 1979; directed by Volker Schlöndorff and partially filmed in Zagreb, with Senečić credited as production co-designer) and classics of Croatian cinema such as Rondo (1966), One Song a Day Takes Mischief Away (Tko pjeva zlo ne misli, 1970).
Senečić won four Golden Arena for Best Production Design awards, making him one of the most decorated production designers in Croatian cinema.
He also co-wrote screenplays for films An Event (Događaj, 1969; directed by Vatroslav Mimica) and The House (Kuća, 1975; directed by Bogdan Žižić). Senečić also started directing short films in the late 1970s and then proceeded to make several feature films in the 1990s, such as Delusion (Zavaravanje, 1998) and Dubrovnik Twilight (Dubrovački suton, 1999).
Known for
Acting |
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2017 | Trieste, Yugoslavia | Actor | Himself | 59 Average |
1991 | Charuga | Actor | Slikar | 58 Average |
Directing |
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2012 | Sucks | Directing | Director | N/A N/A |
2006 | Red and Black | Directing | Director | N/A N/A |
1999 | Dubrovnik Twilight | Directing | Director | N/A N/A |
1998 | Delusion | Directing | Director | N/A N/A |
1997 | Pont Neuf | Directing | Director | N/A N/A |
Writing |
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2012 | Sucks | Writing | Writer | N/A N/A |
2006 | Red and Black | Writing | Writer | N/A N/A |
1999 | Dubrovnik Twilight | Writing | Writer | N/A N/A |
1998 | Delusion | Writing | Writer | N/A N/A |
1997 | Pont Neuf | Writing | Writer | N/A N/A |
1984 | Inspector Vinko | Writing | Writer | N/A N/A |
1977 | Either We Are or Aren't | Writing | Writer | N/A N/A |
1976 | Motel Moonlight | Writing | Writer | N/A N/A |
1975 | The House | Writing | Writer | 59 Average |
1969 | An Event | Writing | Writer | 58 Average |
Art |
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1991 | Charuga | Art | Production Design | 58 Average |
1990 | Project Alien | Art | Production Design | 58 Average |
1988 | The Dirty Dozen: The Fatal Mission | Art | Art Direction | 58 Average |
1987 | The Dirty Dozen: The Deadly Mission | Art | Art Direction | 58 Average |
1985 | Premeditated Love Letters | Art | Production Design | 58 Average |
1984 | Die Nacht der vier Monde | Art | Art Direction | N/A N/A |
1982 | Cyclops | Art | Production Design | 58 Average |
1979 | The Parting Song | Art | Production Design | N/A N/A |
1979 | Slow Motion | Art | Production Design | 58 Average |
1976 | Private Vices, Public Virtues | Art | Production Design | 58 Average |
1972 | Eagle in a Cage | Art | Production Design | 59 Average |
1971 | Short Night of Glass Dolls | Art | Production Design | 60 Fair |
1971 | The Scene of the Crash | Art | Set Designer | 59 Average |
1970 | One Song a Day Takes Mischief Away | Art | Production Design | 59 Average |
1970 | The Fed One | Art | Production Design | 59 Average |
1970 | The 5th Day of Peace | Art | Production Design | 58 Average |
1970 | The Way to Paradise | Art | Production Design | 58 Average |
1969 | An Event | Art | Production Design | 58 Average |
1969 | When You Hear the Bells | Art | Production Design | 58 Average |
1967 | Illusion | Art | Set Designer | 59 Average |
1967 | The Birch Tree | Art | Production Design | 59 Average |
1966 | Rondo | Art | Set Designer | 59 Average |
1965 | The Key | Art | Set Designer | 59 Average |
1965 | Back of the Medal | Art | Production Design | 59 Average |
1963 | Man and Beast | Art | Art Direction | 59 Average |
1962 | Kozara | Art | Art Direction | 59 Average |
1960 | Love and Fashion | Art | Art Direction | 59 Average |
Costume & Make-Up |
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1974 | A Performance of Hamlet in the Village of Mrdusa Donja | Costume & Make-Up | Costume Design | 59 Average |
Crew |
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1976 | Motel Moonlight | Crew | Scenic Artist | N/A N/A |