About
Dominic Lester
Overview
No biography available
Known for
Sound |
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| 1999 | The End of the Affair | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1999 | Notting Hill | Sound | Sound Editor | 71 Good |
| 1999 | Simply Irresistible | Sound | Sound Re-Recording Mixer | 57 Average |
| 1998 | Fear and Loathing in Las Vegas | Sound | Sound Re-Recording Mixer | 70 Good |
| 1997 | The Wings of the Dove | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1996 | Twelfth Night | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1995 | Copycat | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1994 | The Madness of King George | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1994 | Mary Shelley's Frankenstein | Sound | Sound Re-Recording Mixer | 62 Fair |
| 1994 | Captives | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | Dust Devil | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | Blame It on the Bellboy | Sound | Sound Re-Recording Mixer | 58 Average |
| 1990 | Nuns on the Run | Sound | Sound Mixer | 58 Average |
| 1989 | We're No Angels | Sound | Sound Re-Recording Mixer | 60 Fair |
Crew |
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| 1992 | Swan Song | Crew | Mix Technician | 59 Average |