
About
Leslie Dilley
Overview
Leslie Dilley (January 11, 1941 — May 20, 2025) was a Welsh art director and production designer. During his career from the 1970s to 2000s, he won the Academy Award for Best Art Direction twice for Star Wars (1977) and Raiders of the Lost Ark (1981). Dilley received additional Best Art Direction nominations for Alien (1979), The Empire Strikes Back (1980), and The Abyss (1989). Apart from art direction, Dilley was a production designer for The Exorcist III (1990), Casper (1995), and Son of the Mask (2005).
In 1941, Dilley was born in Rhondda Valley, South Wales. Growing up, Dilley and his family moved to London and lived in Wembley Park. For his post-secondary education, Dilley studied architecture at Willesden Technical College. While working as an apprentice plasterer during college, Dilley was encouraged by a classmate to apply at Pinewood Studios. After Pinewood told him there were no open positions available, Dilley completed a five year plastering apprenticeship at the Associated British Picture Corporation.
Known for
Acting |
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2017 | The Galaxy Britain Built: The British Force Behind Star Wars | Actor | Himself | 59 Average |
2016 | Death, Be Not Proud: The Making of "The Exorcist III" | Actor | Self | 58 Average |
2009 | Beware the Moon: Remembering 'An American Werewolf in London' | Actor | Self | 59 Average |
2000 | Pay It Forward | Actor | The Governor | 70 Good |
1999 | The Alien Legacy | Actor | Self | 59 Average |
1998 | Deep Impact | Actor | Waiter | 61 Fair |
1997 | The Peacemaker | Actor | New York Priest | 59 Average |
Directing |
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1995 | How to Make an American Quilt | Directing | Second Unit Director | 60 Fair |
1992 | Honey, I Blew Up the Kid | Directing | Second Unit Director | 54 Average |
Art |
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2006 | Little Man | Art | Production Design | 58 Average |
2005 | Son of the Mask | Art | Production Design | 45 Bad |
2003 | Cold Creek Manor | Art | Production Design | 56 Average |
2001 | Black Knight | Art | Production Design | 55 Average |
2000 | Pay It Forward | Art | Production Design | 70 Good |
2000 | Men of Honor | Art | Production Design | 72 Good |
1999 | Inspector Gadget | Art | Production Design | 48 Bad |
1998 | Deep Impact | Art | Production Design | 61 Fair |
1997 | The Peacemaker | Art | Production Design | 59 Average |
1996 | Diabolique | Art | Production Design | 57 Average |
1995 | How to Make an American Quilt | Art | Production Design | 60 Fair |
1995 | Casper | Art | Production Design | 62 Fair |
1994 | Honey, I Shrunk the Audience | Art | Production Design | 58 Average |
1994 | Monkey Trouble | Art | Production Design | 58 Average |
1992 | The Distinguished Gentleman | Art | Production Design | 59 Average |
1992 | Honey, I Blew Up the Kid | Art | Production Design | 54 Average |
1991 | What About Bob? | Art | Production Design | 65 Fair |
1991 | Guilty by Suspicion | Art | Production Design | 60 Fair |
1990 | The Exorcist III | Art | Production Design | 61 Fair |
1989 | The Abyss | Art | Production Design | 71 Good |
1988 | Stars & Bars | Art | Production Design | 58 Average |
1986 | Allan Quatermain and the Lost City of Gold | Art | Production Design | 54 Average |
1986 | Invaders from Mars | Art | Production Design | 57 Average |
1985 | Legend | Art | Supervising Art Director | 61 Fair |
1983 | Never Say Never Again | Art | Supervising Art Director | 60 Fair |
1983 | Eureka | Art | Supervising Art Director | 57 Average |
1981 | An American Werewolf in London | Art | Art Direction | 71 Good |
1981 | Raiders of the Lost Ark | Art | Art Direction | 78 Good |
1980 | The Empire Strikes Back | Art | Art Direction | 83 Very good |
1979 | Alien | Art | Art Direction | 80 Very good |
1978 | Superman | Art | Art Direction | 70 Good |
1977 | Star Wars | Art | Art Direction | 81 Very good |
1974 | The Four Musketeers | Art | Art Direction | 60 Fair |
1973 | The Three Musketeers | Art | Art Direction | 62 Fair |
1973 | Scorpio | Art | Assistant Art Director | 59 Average |
1971 | The Devils | Art | Assistant Art Director | 65 Fair |
Crew |
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1997 | The Fifth Element | Crew | Thanks | 74 Good |