About
Keith Stafford
Overview
No biography available
Known for
Sound |
||||
1987 | The Stepfather | Sound | Supervising Sound Editor | 61 Fair |
1982 | The Entity | Sound | Sound Effects Editor | 62 Fair |
1980 | The Black Marble | Sound | Sound Editor | 58 Average |
1979 | The Onion Field | Sound | Sound Editor | 59 Average |
1978 | An Enemy of the People | Sound | Sound Effects Editor | 59 Average |
1977 | The Gauntlet | Sound | Sound Effects Editor | 62 Fair |
1976 | The Enforcer | Sound | Sound Effects Editor | 64 Fair |
1976 | The Outlaw Josey Wales | Sound | Sound Editor | 69 Fair |
1975 | Aaron Loves Angela | Sound | Sound Editor | 58 Average |
1975 | Death Scream | Sound | Sound Effects Editor | 59 Average |
1975 | Posse | Sound | Sound Effects Editor | 58 Average |
1974 | Thunderbolt and Lightfoot | Sound | Sound Editor | 63 Fair |
1973 | Hit! | Sound | Sound Effects Editor | 58 Average |
1972 | The Life and Times of Judge Roy Bean | Sound | Sound Editor | 60 Fair |
1970 | Little Fauss and Big Halsy | Sound | Sound Editor | 58 Average |
1965 | Red Line 7000 | Sound | Sound Editor | 58 Average |
Editing |
||||
1979 | Missile X: The Neutron Bomb Incident | Editing | Supervising Editor | 58 Average |