About
Matthew Skelding
Overview
No biography available
Known for
Sound |
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2024 | Baby Reindeer | Sound | Supervising Sound Editor | 75 Good |
2024 | Wicked Little Letters | Sound | Supervising Sound Editor | 63 Fair |
2019 | Only You | Sound | Dialogue Editor | 60 Fair |
2019 | The Kid Who Would Be King | Sound | Dialogue Editor | 60 Fair |
2018 | Lean on Pete | Sound | Dialogue Editor | 62 Fair |
2018 | The Alienist | Sound | Supervising Sound Editor | 75 Good |
2017 | Three Billboards Outside Ebbing, Missouri | Sound | Dialogue Editor | 79 Good |
2016 | American Honey | Sound | ADR Editor | 64 Fair |
2014 | Salting the Battlefield | Sound | Dialogue Editor | 59 Average |
2014 | Turks & Caicos | Sound | Dialogue Editor | 59 Average |
2012 | Restless | Sound | Dialogue Editor | 70 Good |
2011 | Great Expectations | Sound | Dialogue Editor | 70 Good |
2011 | Page Eight | Sound | Dialogue Editor | 61 Fair |
2010 | The King's Speech | Sound | Dialogue Editor | 76 Good |
2009 | The Damned United | Sound | Dialogue Editor | 66 Fair |
2008 | Easy Virtue | Sound | Supervising Sound Editor | 61 Fair |
2008 | Franklyn | Sound | Sound Editor | 59 Average |
2008 | Franklyn | Sound | Sound Re-Recording Mixer | 59 Average |
2008 | Bathory: Countess of Blood | Sound | Sound Editor | 58 Average |
2006 | Evil Aliens | Sound | Sound Re-Recording Mixer | 57 Average |
2006 | Ghostwood | Sound | Supervising Dialogue Editor | 58 Average |
2005 | The Dark | Sound | ADR Recordist | 58 Average |
2003 | The Night We Called It a Day | Sound | Music Editor | 58 Average |
2002 | Resident Evil | Sound | ADR Recordist | 65 Fair |
Editing |
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2017 | King Arthur: Legend of the Sword | Editing | Dialogue Editor | 64 Fair |