About
Aaron Drake
Overview
Award-winning Los Angeles based composer, Aaron Drake, writes for a variety of media including film and television, contemporary dance, interactive media, and sound installation.
He has a deep interest in meta-narratives and the sonification of social relationships. Aural mnemonics, EVP, sonic masking, codes and ciphers, historical trends, and social tendencies are a few areas that have inspired his compositions.
Known for
Sound |
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| 2024 | MORA | Sound | Sound | 58 Average |
| 2024 | Some Other Woman | Sound | Music | 58 Average |
| 2023 | Fireline | Sound | Music | N/A N/A |
| 2021 | Live in Front of a Studio Audience: The Facts of Life and Diff'rent Strokes | Sound | Music | 59 Average |
| 2021 | Ignore It | Sound | Sound Designer | 59 Average |
| 2021 | Ignore It | Sound | Music | 59 Average |
| 2020 | Breach | Sound | Music Supervisor | 49 Bad |
| 2020 | Phantom Valley | Sound | Sound Designer | 59 Average |
| 2020 | Robin's Wish | Sound | Original Music Composer | 60 Fair |
| 2019 | Live in Front of a Studio Audience: "All in the Family" and "Good Times" | Sound | Theme Song Performance | 59 Average |
| 2019 | Live in Front of a Studio Audience: Norman Lear's "All in the Family" and "The Jeffersons" | Sound | Music | 59 Average |
| 2018 | The Godfathers of Hardcore | Sound | Music | 59 Average |
| 2017 | Business Doing Pleasure | Sound | Music | N/A N/A |
| 2015 | Bad Blood | Sound | Music | 58 Average |
| 2012 | Extracted | Sound | Sound Designer | 60 Fair |