About
Hiroko Kazui
Overview
Since starting to work as an assistant animator from junior college age, Hiroko Kazui has worked in the animation field not only in Japan but also in Canada for more than thirty years. She's participated in many animation TV series and feature films such as “Ranma Nibun-no-ichi,” and ”Keroro Gunsou” as an animator, storyboard artist, director or writer. A set of anime characters she designed, called ”Moe characters loved not only by kids but also grown-ups,” was drawn on the “Moe Bus,” operating around Shibuya and Nerima in 2006. Some of the works she's taken part in have won an Academy Award nomination candidacy, a grand prize awarded by Japan’s Agency for Cultural Affairs, and the Good Design Award.
Known for
Visual Effects |
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2022 | The Tatami Time Machine Blues | Visual Effects | Key Animation | 59 Average |
2022 | Inu-Oh | Visual Effects | Key Animation | 61 Fair |
2016 | In This Corner of the World | Visual Effects | Key Animation | 69 Fair |
2007 | Sword of the Stranger | Visual Effects | Key Animation | 66 Fair |
2003 | Tokyo Godfathers | Visual Effects | Key Animation | 73 Good |
2003 | Idol Fighter Su-Chi-Pai II | Visual Effects | Animation Director | 59 Average |
2000 | Digimon Adventure 02: Hurricane Touchdown! The Golden Digimentals | Visual Effects | Key Animation | 59 Average |
1999 | Eden's Bowy | Visual Effects | Character Designer | 69 Fair |
1998 | Pokémon: The First Movie | Visual Effects | Key Animation | 66 Fair |
1996 | Spring and Chaos | Visual Effects | Key Animation | 59 Average |
1994 | Ranma ½: The Movie 3 — The Super Non-Discriminatory Showdown: Team Ranma vs. the Legendary Phoenix | Visual Effects | Key Animation | 61 Fair |
1992 | Ranma ½: The Movie 2 — The Battle of Togenkyo: Rescue the Brides! | Visual Effects | Key Animation | 63 Fair |
1987 | Touch 3 Don't Pass Me By | Visual Effects | Key Animation | 59 Average |
1987 | Doraemon: Nobita and the Knights on Dinosaurs | Visual Effects | Key Animation | 59 Average |